{"id":991,"date":"2022-12-13T11:11:14","date_gmt":"2022-12-13T10:11:14","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=991"},"modified":"2024-01-03T09:38:29","modified_gmt":"2024-01-03T08:38:29","slug":"2013-fra","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/2013-fra\/","title":{"rendered":"FRA – 2013"},"content":{"rendered":"

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Revela’t 2013: La premi\u00e8re \u00e9dition<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px||false|false” custom_padding=”0px|0px|180px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.23.4″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”||-2px|0px|false|false” custom_padding=”|||0px|false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

2023<\/a> \/ 2022<\/a> \/ 2021<\/a>\u00a0\/ 2020<\/a> \/ 2019<\/a> \/ 2018<\/a> \/\u00a02017<\/a><\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a>\u00a0\/ 2013<\/strong><\/span><\/p>\n

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Le festival Revela\u2019t a vu le jour pour c\u00e9l\u00e9brer l\u2019anniversaire d\u2019un site Web, espaifotografic.cat,<\/strong> qui a connu son heure de gloire avec le boom de la photographie num\u00e9rique.<\/p>\n

Le num\u00e9rique ne remplace pas l’analogique, elle vient offrir de nouvelles opportunit\u00e9s de capturer une image, sans \u00e9touffer cette technique. Nous est ainsi venue l’id\u00e9e de cr\u00e9er une rencontre o\u00f9 la photographie analogique serait le protagoniste. En tant qu\u2019amoureux des techniques originales et en particulier du collodion humide, nous avons contact\u00e9 Quinn Jacobson<\/strong>, l\u2019un des photographes analogiques les plus reconnus \u00e0 l\u2019heure actuelle. Nous lui proposions d’exposer lors de notre projet, qui n’\u00e9tait encore \u00e0 l’\u00e9poque qu’un simple embryon du Revela’t actuel. Incroyable, il nous r\u00e9pond, et par l’affirmative\u202f!\u00a0<\/p>\n

S’ensuit un incroyable effet boule de neige. En apprenant la pr\u00e9sence de Quinn, un autre grand photographe et ami \u00e0 lui, Josep Maria Ribas Prous<\/strong>, nous contacte. Une nouvelle exposition est conclue avec lui. Puis six autres, cl\u00f4tur\u00e9es par deux ateliers, l\u2019un sur la photographie au st\u00e9nop\u00e9 avec\u00a0Ilan Wolf\u00a0<\/strong>et un autre avec notre cher Eduardo Mome\u00f1e et Jos\u00e9 Manuel Navia.<\/strong><\/p>\n

Une \u00e9dition qui n\u2019a dur\u00e9 qu\u2019un week-end, une belle exp\u00e9rience qui n\u2019a pas tard\u00e9 \u00e0 porter ses fruits.<\/p>\n<\/div>\n

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Faust\u00ed Lluci\u00e0,<\/strong>\u00a0Bot\u00e1nica urbana.\u00a0<\/em>Hanna Jarzabeck,<\/strong>\u00a0Lesbians & much more.\u00a0<\/em>Miquel \u00c0ngel P\u00e9rez,<\/strong>\u00a0Nudus.\u00a0<\/em>Pablo Lerma,<\/strong>\u00a0Related Time.\u00a0<\/em>Colectiva,<\/strong>\u00a0Hablando en Plata.\u00a0<\/em>Colecci\u00f3n<\/strong>\u00a0J. M. Ribas Prous<\/strong>\u00a0y\u00a0Lloren\u00e7 Herrera,\u00a0<\/strong>USA tintypes\/ferrotypes western time (circa 1856\/1880).\u00a0<\/em>Colecci\u00f3n Ram\u00f3n Rod\u00f3,<\/b>\u00a0Exposici\u00f3n de c\u00e1maras fotogr\u00e1ficas antiguas.\u00a0<\/em>Centre Excursionista de Catalunya CEC,<\/b>\u00a0Autocromos, fotografia en color de principios del s. XX.<\/em><\/span><\/p>\n

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Vendredi 24 mai<\/strong><\/span><\/h5>\n