{"id":8723,"date":"2023-04-14T12:01:47","date_gmt":"2023-04-14T10:01:47","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=8723"},"modified":"2025-04-10T16:24:06","modified_gmt":"2025-04-10T14:24:06","slug":"seance-de-lecture-de-portfolios","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/seance-de-lecture-de-portfolios\/","title":{"rendered":"S\u00e9ance de Lecture de Portfolios"},"content":{"rendered":"

[et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”|30px|0px|30px|false|false” custom_padding=”48px||34px||false|false” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”2560px” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”title” _builder_version=”4.20.2″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||||false|false” custom_padding=”||10px||false|false” custom_css_main_element=”@media (max-width: 2000px) {||.body-content {|| width: calc(100vw – 80px);|| margin: 0 40px 0 40px;||}||}” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

S\u00e9ance de Lecture de Portfolios<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Section” module_class=”body-content” _builder_version=”4.20.2″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|-81px|0px|false|false” custom_padding=”0px|0px|90px|0px|false|false” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.20.2″ _module_preset=”default” width=”100%” max_width=”2560px” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|23px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”title” _builder_version=”4.19.5″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||||false|false” custom_padding=”||||false|false” custom_css_main_element=”@media (max-width: 2000px) {||.body-content {|| width: calc(100vw – 80px);|| margin: 0 40px 0 40px;||}||}” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

Vendredi 9 juin<\/strong><\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.20.2″ _module_preset=”default” width=”100%” max_width=”100%” module_alignment=”left” min_height=”91.7px” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.20.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|27px|0px|0px|false|false” custom_padding=”0px|26px|45px|0px|false|false” global_colors_info=”{}”]<\/p>\n

L’examen des dossiers se r\u00e9alise \u00e0 huit-clos et vous ne pourrez donc pas y assister si vous n’avez pas \u00e9t\u00e9 s\u00e9lectionn\u00e9. Il s’agit d’un appel qui s’est cl\u00f4tur\u00e9 le 29 mars et auquel ont \u00e9t\u00e9 soumis 141 projets de 114 auteurs de 26 pays.<\/div>\n
\u00a0<\/span><\/div>\n
Parmi tous les projets re\u00e7us, dix-huit ont \u00e9t\u00e9 s\u00e9lectionn\u00e9s et ont l’opportunit\u00e9 de pr\u00e9senter leurs projets \u00e0 neuf des onze experts de cette \u00e9dition. Il est question de galeristes, de conservateurs, de directeurs de festivals, de critiques et d’\u00e9diteurs qui passeront 20 minutes avec chacun d’entre eux, pendant trois heures, pour leur donner des conseils et des commentaires constructifs sur leur travail.<\/div>\n
\u00a0<\/span><\/div>\n
Cet \u00e9v\u00e9nement leur permet d’avoir un regard ext\u00e9rieur et professionnel sur les projets en cours de d\u00e9veloppement et de nouer des contacts susceptibles de dynamiser leur carri\u00e8re sur la sc\u00e8ne nationale et internationale. Ils ont \u00e9galement la possibilit\u00e9 de gagner des prix offerts par nos marques partenaires.<\/div>\n
\u00a0<\/span><\/div>\n
Il se d\u00e9roule en deux sessions : le matin ou l’apr\u00e8s-midi.<\/div>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/03\/instagram-visionado2.jpg” title_text=”instagram visionado2″ _builder_version=”4.20.2″ _module_preset=”default” custom_padding=”||90px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Section” module_class=”body-content” _builder_version=”4.20.2″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” min_height=”100px” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|90px|0px|false|false” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”2560px” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|23px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”title” _builder_version=”4.20.2″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||||false|false” custom_padding=”||||false|false” custom_css_main_element=”@media (max-width: 2000px) {||.body-content {|| width: calc(100vw – 80px);|| margin: 0 40px 0 40px;||}||}” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

Les s\u00e9lectionn\u00e9s ont \u00e9t\u00e9…<\/strong><\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Francisco-Gonzalez-Camacho-1-Elsewhere-scaled.jpg” title_text=”Francisco Gonzalez Camacho – 1 – Elsewhere” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]<\/p>\n

Francisco Gonz\u00e1lez Camacho<\/strong>
En otra parte<\/span><\/p>\n

frangc.com<\/a>
@frangccom<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Felipe-Abreu-1-LOSTINTHEPARADISE-1.jpg” title_text=”Felipe Abreu – 1 – LOSTINTHEPARADISE-1″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Felipe Abreu<\/strong>
\nLost in paradise
\n<\/span>
\nfelipeabreu.carbonmade.com
\n@felipeabreus[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Maria-Sola-251-selfportrait.jpg” title_text=”Maria Sola\u0300 – 251 – selfportrait” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Maria Sol\u00e0<\/strong>
\nM_MYDENTITY, I confess without regrets<\/span><\/p>\n

@mama_colapso[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Adam-Rouhana-501-Rouhana6.jpg” title_text=”Adam Rouhana – 501 – Rouhana6″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Adam Rouhana<\/strong>
\nBefore freedom<\/p>\n

@neurotrophik[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/jasongardner-13-2019_Feb_Slovenia_Kurent_Oraci_Portraits_0093_SQ_RT.jpg” title_text=”jasongardner – 13 – 2019_Feb_Slovenia_Kurent_Oraci_Portraits_0093_SQ_RT” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]<\/p>\n

Jason Gardner<\/strong>
We The Spirits: Traditional Carnaval On The Edge<\/span><\/p>\n

jasongardner.net<\/a>
@visualanthropology1<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Antoine-Horenbeek-101-Horenbeek-Antoine_2.jpg” title_text=”Antoine Horenbeek – 101 – Horenbeek Antoine_2″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Antoine Horenbeek<\/strong>
\nIn the Kingdom of discretion
\n<\/span>
\nantoinehorenbeek.com<\/a>
\n@antoinehorenbeek[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Glauco-Canalis-1126-009_Luciano_Torretta_2022.jpg” title_text=”Glauco Canalis – 1126 – 009_Luciano_Torretta_2022″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Glauco Canalis<\/strong>
\nThe darkest the night, the brighter the stars<\/span><\/p>\n

glaucocanalis.com<\/a>
\n@glaucocanalis<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Elissavet-Sikalou-201-2.jpg” title_text=”Elissavet Sikalou – 201 – 2″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Elissavet Sikalou<\/strong>
\nMetamorphosis – A story of decay<\/p>\n

@elissavet_sik[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Gunnar-Knechtel-101-Fronton-Wall-13.jpg” title_text=”Gunnar Knechtel – 101 – Fronton Wall 13″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Gunnar Knechtel<\/strong>
\nFronton walls in Spanish villages<\/span><\/p>\n

gunnarknechtel.com<\/a>
\n@gunnarknechtel[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Juan-de-la-Quintana-85-.jpg” title_text=”Juan de la Quintana – 85 -” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Juan de la Quintana<\/strong>
\nYa no cantan los vencejos
\n<\/span>
\njuandelaquintana.com<\/a>
\n@j.delaquintana[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Roman-LE-201-Roman_LE_Zone_Zero_03.jpg” title_text=”Roman LE – 201 – Roman_LE_Zone_Zero_03″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Roman LE<\/strong>
\nZona Zero<\/span><\/p>\n

romanle.com<\/a>
\n@romanle[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Francesca-Faulin-101-2023_oor_bichrome-gum_02.jpg” title_text=”Francesca Faulin – 101 – 2023_oor_bichrome gum_02″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Francesca Faulin<\/strong>
\nL’originale, l’ombra e la ripetizione<\/p>\n

francescafaulin.com<\/a>
\n@francescaonfilm[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Virginia-Villacisla-1101-ANTIALBUM-FAMILIAR-VIRGINIA-VILLACISLA-12.jpg” title_text=”Virginia Villacisla – 1101 – ANTIA\u0301LBUM FAMILIAR – VIRGINIA VILLACISLA – 12″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Virginia Villacisla<\/strong>
\nANTI\u00c1LBUM FAMILIAR<\/span><\/p>\n

virginiavillacisla.com<\/a>
\n@villacisla[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/silvia.jpg” title_text=”silvia” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Silvia Ayerra<\/strong>
\nDiente de leche
\n<\/span><\/p>\n

@sil_ayerra_<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/Yvette-Marie-Dostatni-1101-American_Dream_12.jpg” title_text=”Picture 028″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Yvette Marie Dostatni<\/strong>
\nAmerican Dream<\/span><\/p>\n

ymdphoto.com<\/a>
\n@ymdphoto[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/74d6367d-0f67-4542-8008-ad7847b8c20c.jpg” title_text=”74d6367d-0f67-4542-8008-ad7847b8c20c” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Salva Borrego<\/strong>
\nLa Jaula Dorada<\/p>\n

salvaborrego.com<\/a>
\n@salvaborrego[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/b981c334-1a8e-4ad0-b1db-fb8ef19dbf68.jpg” title_text=”b981c334-1a8e-4ad0-b1db-fb8ef19dbf68″ force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” locked=”off” global_colors_info=”{}”]Jesus Visauta<\/strong>
\nUn buen d\u00eda<\/p>\n

@jvisab[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/helena-1.jpg” title_text=”helena” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” locked=”off” global_colors_info=”{}”]Helena Borjesson Carazo<\/strong>
\nMollsj\u00f6n<\/p>\n

helenaborjesson.com<\/a>
\n@helena.borjesson[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px|0px|90px|0px|false|false” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.19.4″ _module_preset=”default” width=”100%” max_width=”2560px” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|23px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”title” _builder_version=”4.19.5″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||||false|false” custom_padding=”||||false|false” custom_css_main_element=”@media (max-width: 2000px) {||.body-content {|| width: calc(100vw – 80px);|| margin: 0 40px 0 40px;||}||}” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

Experts<\/strong><\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” module_alignment=”left” custom_margin=”0px|||0px|false|false” custom_padding=”|||7px|false|false” global_colors_info=”{}”]<\/p>\n

L’\u00e9quipe d’experts qui commentera vos projets sera compos\u00e9e de onze professionnels du domaine photographique.Le jury est compos\u00e9 de onze photographes professionnels et est coordonn\u00e9 par Marc \u00c0vila.<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/Marc-Avila-Catala-4.jpg” title_text=”Marc A\u0301vila Catala\u0300” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]<\/p>\n

Marc \u00c0vila (coordinateur)<\/strong>
Dipl\u00f4m\u00e9 en Beaux-Arts de l’Universit\u00e9 de Barcelone (2019) et, par la suite, dipl\u00f4m\u00e9 du Master en \u00e9tudes cin\u00e9matographiques et audiovisuelles contemporaines de l’Universit\u00e9 Pompeu Fabra de Barcelone (2019-2021).
Son travail a \u00e9t\u00e9 expos\u00e9 dans l’exposition \u00abSense T\u00edtol\u00bb de l’Universit\u00e9 des Beaux-Arts de Barcelone (2019) \u00e0 la Fondation Muxart, Espace d’art contemporain et de cr\u00e9ation (2017), \u00e0 la Galerie Valid Foto Bcn (2021), \u00e0 l’Igualada Fine Art Contemporary Photography Festival (2022) et r\u00e9compens\u00e9e dans des concours et expositions internationaux tels que Revela’t 20, le Tokyo Int. Photo Award (2021) et s\u00e9lectionn\u00e9e aux Boutographies \u2013 Rencontres photographiques de Montpellier (2021).<\/span><\/p>\n

@marcavilacatala<\/span><\/p>\n

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Natalia Chocarro<\/strong>
Depuis 1999, elle travaille \u00e0 la Fundaci\u00f3 Vila Casas, actuellement en tant que conseill\u00e8re artistique. Elle a \u00e9t\u00e9 commissaire de projets tels que \u00abIsidre Manils. Forums de camp\u00bb (Museu Can Framis, f\u00e9vrier-mai 2022), \u00abVicen\u00e7 Viaplana. Les lieux de peinture\u00bb co-organis\u00e9 avec \u00c0lex Susanna (Espais Volart, janvier-mai 2021), \u00abMayte Vi\u00eata. Estimar \u00e9s un lloc (Aimer est un lieu)\u00bb (Museu de la Garrotxa, juillet-octobre 2021), \u00abAntoni Tapies. La r\u00e9sistance du signe\u00bb (Ch\u00e2teau de Vila-seca, Tarragone, juin 2020-janvier 2021)… Depuis 2014, elle publie r\u00e9guli\u00e8rement dans le magazine Bonart. Entre 1995 et 1998, elle a travaill\u00e9 \u00e0 la Fundaci\u00f3 Joan Mir\u00f3 \u00e0 Barcelone.<\/span><\/p>\n

<\/span><\/p>\n

@nataliachocarro_<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/CARMEN-DALMAU-\u00a9Roberto-Villalon-4.jpeg” title_text=”CARMEN DALMAU \u00a9Roberto Villalon” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||20px||false|false” global_colors_info=”{}”]<\/p>\n

Carmen Dalmau<\/strong>
Dipl\u00f4m\u00e9e en histoire de l’art et histoire moderne et contemporaine. Commissaire d’expositions ind\u00e9pendante, critique d’art et professeure d’histoire de l’art et d’esth\u00e9tique au sein du Master de photographie EFTI et dans diverses \u00e9coles de photographie o\u00f9 elle donne des tutorats et des ateliers. Autrice du blog photo \u00abAnte Vuestros Ojos\u00bb. Autrice de l’essai \u00abElogio de la Mirada\u00bb. Contributrice \u00e0 des publications d’art contemporain. Directrice de Galer\u00eda Cero jusqu’\u00e0 sa fermeture en 2019. Vice-pr\u00e9sidente de la Plateforme du Centre de la photographie et de l’image.<\/p>\n

@dalmau_carmen<\/p>\n

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Jose Mar\u00eda D\u00edaz Maroto<\/strong>
Photographe, enseignant, conservateur ind\u00e9pendant et promoteur d’art. Il est actuellement l’actuel directeur de l’\u00e9cole internationale de photographie Alcobendas PhotoEspa\u00f1a PIC.A. En tant que professeur, il donne des cours dans diff\u00e9rentes \u00e9coles de photographie, il fait partie de la facult\u00e9 du Master en photographie PhotoEspa\u00f1a, en plus de conseiller des collectionneurs priv\u00e9s. De 2007 \u00e0 2020, il a \u00e9t\u00e9 conservateur de la collection de photographies d’Alcobendas. En tant qu’enseignant, il a dirig\u00e9 le d\u00e9partement de photographie \u00e0 la mairie d’Arganda de 1990 \u00e0 1997. Professeur titulaire \u00e0 la TAI School of Visual Arts de 2012 \u00e0 2015. Il a publi\u00e9 plus de cent cinquante articles depuis 1983 dans de nombreux magazines et aussi dans des livres et des catalogues.<\/span><\/p>\n

@diazmaroto<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/Laura-Gonzalez-4.jpg” title_text=”Laura Gonza\u0301lez” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||20px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Laura Gonz\u00e1lez<\/strong>
Commissaire de projets et productrice form\u00e9e \u00e0 l’art et \u00e0 la cr\u00e9ativit\u00e9 et \u00e0 l’innovation organisationnelle et sociale. Elle a d\u00e9velopp\u00e9 sa carri\u00e8re professionnelle dans le domaine de la communication strat\u00e9gique et d’entreprise, se sp\u00e9cialisant dans l’environnement num\u00e9rique, le secteur culturel, l’\u00e9v\u00e9nementiel et les festivals.
Son projet artistique est Chiquita Room, un centre d’art contemporain et de cr\u00e9ation \u00e0 Barcelone, qui fonctionne comme une galerie, une r\u00e9sidence, une maison d’\u00e9dition et une \u00e9cole d’inspiration. Fond\u00e9e par Laura en 2018 en h\u00e9ritage de la micro-\u00e9ditorial de livres d’artistes Chiquita Ediciones. Elle est ax\u00e9e sur le travail interdisciplinaire et collectif, avec la volont\u00e9 de soutenir les talents locaux et internationaux et avec un profond engagement \u00e0 l’\u00e9coute pour favoriser le potentiel cr\u00e9atif des individus et des groupes.<\/p>\n

@chiquitaroom<\/p>\n

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[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/Sandra-Maunac-\u00a9David-Arquimbau-4.jpg” title_text=”Sandra Maunac \u00a9David Arquimbau” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||20px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Sandra Maunac<\/strong>
Commissaire ind\u00e9pendante et directrice des Trobades & Premis Mediterranis Albert Camus de Menorca depuis sa cr\u00e9ation en 2017. Elle est membre de la Plateforme du Centre de la photographie et de l’image.
Son objectif, en tant que sp\u00e9cialiste des questions postcoloniales et des \u00e9tudes culturelles, \u00e9tait d’encourager les artistes \u00e0 apporter d’autres perspectives, \u00e0 changer l’h\u00e9g\u00e9monie occidentale dominante et \u00e0 enrichir nos perceptions du monde. Toujours dans une perspective internationale, globale, multiple et vari\u00e9e, d\u00e9fendre des cr\u00e9ateurs conscients que l’image ne suffit plus, critiques du m\u00e9dium et dont les langages sont transversaux et multiples, d\u00e9fendre des projets qui explorent les possibilit\u00e9s de raconter autrement.<\/p>\n

@sandramaunac<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/05\/fede-montornes-carnet-1.jpeg” title_text=”fede montornes carnet” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||45px||false|false” global_colors_info=”{}”]Frederic Montorn\u00e9s<\/strong>
\nDepuis sa licence en Histoire de l\u2019Art par l\u2019Universit\u00e9 de Barcelone, en 1989, Frederic Montorn\u00e9s exerce en r\u00e9gime autonome comme critique d\u2019art et commissaire d\u2019expositions ind\u00e9pendant. Il s\u2019int\u00e9resse \u00e0 l\u2019exploration et \u00e0 l\u2019analyse des langages artistiques contemporains qui le poussent \u00e0 r\u00e9fl\u00e9chir \u00e0 partir de questions inattendues, impr\u00e9vues et inconnues. Ce qu\u2019il pense, il l\u2019\u00e9crit dans des textes qu\u2019il publie dans des m\u00e9dias sp\u00e9cialis\u00e9s en art, catalogues d\u2019expositions individuelles et les expositions qu\u2019il expose dans des institutions publiques, priv\u00e9es, commerciales ou alternatives. Mais il n\u2019y a pas de catalogue de toutes les expositions. Parmi les derni\u00e8res expositions qu\u2019il a organis\u00e9es, on peut citer Especes de espacios, r\u00e9alis\u00e9e au Macba entre 2015-2016 et projet\u00e9e par Obras los dep\u00f3sitos, r\u00e9alis\u00e9 dans 10 mus\u00e9es de Catalogne en 2020.<\/p>\n

Photo prise par Roberto Ruiz<\/p>\n

montornes.net<\/a><\/p>\n

 [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/Silvia-Omedes-4.jpeg” title_text=”Silvia Omedes” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||20px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Silvia Omedes<\/strong>
Responsable culturel, curatrice ind\u00e9pendante, agente et enseignante de photographie documentaire. Elle dirige la Photographic Social Vision Foundation depuis 2001.
Elle a travaill\u00e9 au Guggenheim de New York, au CCCB de Barcelone et pour World Press Photo \u00e0 Amsterdam. En tant que jeune talent nomin\u00e9, elle collabore avec le prix Albert Cam\u00fas Incipiens, le prix Leica Oscar Barnack, le prix Pictet et la bourse Joop Swart Masterclass. Elle a \u00e9t\u00e9 membre du jury des prix Poy Latam, Lu\u00eds Valtue\u00f1a, FNAC Jeune Talent et Luis Kasado. Elle repr\u00e9sente des archives photographiques telles que Joana Biarn\u00e9s, Jacques L\u00e9onard, Isabel Azk\u00e1rate, Leopoldo Pom\u00e9s, Ferran Freixa, Manuel Outumuro et Oriol Maspons. Depuis 2014, elle est membre du Comit\u00e9 qui promeut le Plan national de la photographie de la Generalitat.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/Fernando-Peracho-4.jpeg” title_text=”Fernando Peracho” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||20px||false|false” custom_padding=”||||false|false” locked=”off” global_colors_info=”{}”]Fernando Peracho<\/strong>
\nBaccalaur\u00e9at en Beaux-Arts, restauration et photographie. De 2001 \u00e0 2009, il est responsable de la photographie \u00e0 la galerie Hartmann de Barcelone.
\nEn 2009, il co-fonde la galerie Valid Foto BCN, galerie sp\u00e9cialis\u00e9e dans la photographie, o\u00f9 il travaille actuellement en tant que r\u00e9alisateur.
\nDepuis 2015, il promeut le BIPA, le Prix international de photographie de Barcelone.<\/p>\n

@fperacho<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/LLORENC-RAICH-\u00a9Lluis-Biosca-4.jpg” title_text=”LLORENC\u0327 RAICH \u00a9Lluis Biosca” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||20px||false|false” locked=”off” global_colors_info=”{}”]Lloren\u00e7 Raich<\/strong>
\nProfesseur de l’IEFC, essayiste et conservateur. Il participe r\u00e9guli\u00e8rement en tant que conf\u00e9rencier, professeur et jury dans des festivals et institutions, ainsi qu’au commissariat d’expositions et de conf\u00e9rences internationales de photographie. Son axe de recherche porte sur la th\u00e9orie et la pratique des aspects po\u00e9tiques et narratifs implicites au langage photographique.
\nEn tant qu’essayiste, il a publi\u00e9 les ouvrages suivants : \u00abCorpograf\u00eda. Le corps dans la photographie contemporaine\u00bb, \u00abPo\u00e9tique photographique\u00bb et \u00abPhotographie et motif po\u00e9tique\u00bb, \u00abLa photographie comme po\u00e9sie\u00bb, et \u00abDe l’image po\u00e9tique\u00bb.<\/p>\n

llorencraich.com<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” custom_css_main_element=”margin-right: 20px !important;” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/ARIANNA-RINALDO-\u00a9Paolo-Verzone-4.jpeg” title_text=”ARIANNA RINALDO \u00a9Paolo Verzone” force_fullwidth=”on” _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||20px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Arianna Rinaldo<\/strong>
Elle d\u00e9bute son parcours dans le monde de la photographie en tant que directrice des archives Magnum Photos \u00e0 New York (1998-2001) puis en Italie, jusqu’en 2004, comme r\u00e9dactrice graphique pour le magazine Colors. \u00c0 partir de cette ann\u00e9e-l\u00e0, elle a commenc\u00e9 \u00e0 travailler comme ind\u00e9pendante et consultante, collaborant avec des \u00e9diteurs et des institutions nationales et internationales. Depuis 2012, elle continue \u00e0 d\u00e9velopper des projets photographiques \u00e0 l’international depuis Barcelone. En tant qu’experte, elle est invit\u00e9e aux \u00e9v\u00e9nements photographiques les plus reconnus internationalement. Jusqu’en 2021, elle a \u00e9t\u00e9 directrice artistique du festival Cortona On The Move, en Toscane.<\/p>\n

@arianna_rinaldo_curator<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2023\/01\/JOSEP-RIGOL-5.jpg” title_text=”JOSEP RIGOL” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||20px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text module_class=”text2″ _builder_version=”4.19.5″ _module_preset=”default” custom_margin=”||20px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Josep Rigol<\/strong>
Photographe et responsable culturel. Il expose en Europe et aux USA. Il coordonne le magazine Zoom et fonde les magazines Ajoblanco et Papel Especial. Critique d’El Correo Catal\u00e1n, Guide des loisirs, La Vanguardia, Avui. Il a dirig\u00e9 les galeries Proc\u00e9s et Pentaprisma. Il a organis\u00e9 la Conf\u00e9rence catalane sur la photographie (1980). Il a fond\u00e9 et coordonn\u00e9 la Primavera Fotogr\u00e1fica (Generalitat, 1982-2004). Commissaire de FotoPr\u00e9s (Fondation La Caixa, 1983-2010). Il a coordonn\u00e9 le Livre blanc sur le patrimoine photographique de la Catalogne (1986). Coordinateur du festival SCAN Tarragone (2008-2020). Fondateur des prix Eurostars. ACCA Art Critic Award for Curating et Fotoconnexi\u00f3 2020 Award for Career.<\/p>\n

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Prix<\/strong><\/span><\/h2>\n

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Quatre des participants seront r\u00e9compens\u00e9s avec l’intention de continuer \u00e0 diffuser leur projet:<\/p>\n