{"id":653,"date":"2022-11-21T13:41:43","date_gmt":"2022-11-21T12:41:43","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=653"},"modified":"2024-11-07T10:07:05","modified_gmt":"2024-11-07T09:07:05","slug":"2018-eng","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/en\/2018-eng\/","title":{"rendered":"ENG – 2018"},"content":{"rendered":"

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Revela’t 2018: Odysseys, a journey full of adventures<\/strong><\/span><\/h1>\n

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2024<\/a> \/\u00a02023<\/a> \/ 2022<\/a> \/ 2021<\/a> \/ 2020<\/a> \/ 2019<\/a> \/ 2018<\/strong> \/\u00a02017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n

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Odysseys<\/strong>\u00a0<\/span>was the theme of the sixth edition of the festival, which referred us to Homer\u2019s poem recounting the adventures of Odysseus (Ulysses) on his journey from the conquered Troy to his return home, Ithaca.
<\/strong><\/span><\/p>\n

The word \u201cOdyssey\u201d came to mean in the universal language \u201cjourney full of adventure\u201d. A journey where the final destination ceased to be the main objective and became the journey itself, a path that enriches and transforms us, in such a way that we will never be the same as when it began.<\/span><\/p>\n

At Revela-t we experimented, saw and debated photography, accompanied by important national and international figures, and it brought together the dreamers, the non-conformists, the fearless, the tireless, those who are not afraid to try and explore paths other than the usual ones.
<\/span><\/p>\n

In this edition we had an exhibition by\u00a0<\/span>Jeff Bridges<\/strong>, better known for his acting skills.<\/span><\/p>\n

The Silver Needle of the festival was in this edition for\u00a0<\/span>Ferran Freixa<\/strong>.<\/span><\/p>\n

It was the first edition of what we call\u00a0<\/span>Revela\u2019t OFF<\/strong>\u00a0<\/span>where different galleries in Barcelona show Revela\u2019t exhibitions.
<\/span><\/p>\n

In December, we did the first edition of\u00a0<\/span>Revela\u2019t Winter Madrid.<\/strong><\/span><\/p>\n

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<\/strong><\/span><\/p>\n

Javier Arcenillas,\u00a0<\/strong>City Hope.\u00a0Gerard Boyer,\u00a0<\/strong>Ser de La Cala.\u00a0Jeff Bridges,<\/strong>\u00a0Pictures and White Squall.\u00a0Alejandro Chaskielberg,\u00a0<\/strong>La creciente.\u00a0Nathalie Daoust,\u00a0<\/strong>Korean Dreams\u00a0Ferran Freixa,\u00a0<\/strong>Fotografia.\u00a0Luther Gerlach,\u00a0<\/strong>Original.\u00a0Matthias Hagemann,\u00a0<\/strong>100 Kilometers\u00a0Ariko Inaoka,\u00a0<\/strong>Erna and Hrefna.\u00a0Juliana Kasumu,\u00a0<\/strong>Irun Kiko.\u00a0Kamila Kulik-Maciejewska,\u00a0<\/strong>Are you Awake?\u00a0Fernanda Larra\u00edn,\u00a0<\/strong>El viaje de Fernanda.\u00a0Isabelle Levistre,\u00a0<\/strong>Anamn\u00e8se.\u00a0Sean Lotman<\/strong>, Sunlanders\u00a0Amalia M\u00e1rquez,\u00a0<\/strong>End to End.\u00a0Jos\u00e9 Manuel Mart\u00ednez Perea,\u00a0<\/strong>Alea\u00a0Jeff Michalek,\u00a0<\/strong>Escenes from a Junkyard\u00a0Fernando Miranda,\u00a0<\/strong>Reminiscencia.\u00a0Kenneth O\u2019Halloran,\u00a0<\/strong>Harvest\u00a0Gloria Oyarzabal,\u00a0<\/strong>La picnolepsia de Tshomb\u00ea.\u00a0Jordi Parramon,\u00a0<\/strong>Les carreteres de l\u2019amor.\u00a0Leopoldo Plasencia,\u00a0<\/strong>Ciutats en construcci\u00f3.\u00a0Proyecto PHES\u00a0<\/strong>(Fotograf\u00eda Espa\u00f1ola Solidaria).\u00a0Lluc Queralt,\u00a0<\/strong>NY una d\u00e9cada\u00a0Florian Reischauer,\u00a0<\/strong>Pieces of Berlin.\u00a0Anne Roig,\u00a0<\/strong>Theme Park 66.\u00a0Tina Rowe,\u00a0<\/strong>My mother\u2019s house\u00a0Maria Sol\u00e0,<\/strong>\u00a0L\u2019inventari.\u00a0Ryan Weideman,\u00a0<\/strong>In my taxi: 1980-2012<\/span><\/p>\n

Expositions OFF<\/strong><\/span><\/p>\n

Aragon\u00e9s, Xavier.\u00a0<\/strong>Twentysix Abandoned Catalan Gasoline Stations (Centre C\u00edvic Can Bast\u00e9).\u00a0Ari\u00f1o, Israel.\u00a0<\/strong>Cr\u00f3nicas de un desembarco (Fifty Dots Gallery.\u00a0Berg\u00e9s, Laurenz.\u00a0<\/strong>Black Diamond (Mec\u00e0nic).\u00a0Borges, Etel.\u00a0<\/strong>Symbolic Map (La Iguana Cultura).\u00a0Cruz, Irene.\u00a0<\/strong>Bj\u00f6rk (Fifty Dots Gallery).\u00a0de Castro, Alfonso.\u00a0<\/b>Double Take (Nau Nostik).\u00a0Garcia, Bernat.\u00a0<\/strong>El Camino (Fifty Dots Gallery).\u00a0Garc\u00eda, Daniel.\u00a0<\/strong>USA\u201990 (Fifty Dots Gallery).\u00a0Garrido, Eric.\u00a0<\/strong>Dentro (Espai de Fotografia Francesc Catal\u00e0 Roca).\u00a0Gim\u00e9nez, Nagore.\u00a0<\/strong>Distorted Memories (Espai de Fotografia Francesc Catal\u00e0 Roca).\u00a0Jornet, Anna.\u00a0<\/strong>\u00cele (CFD).\u00a0Kenna,Michael. \u00a0<\/strong>Oneiros (Valid Foto BCN).\u00a0Lista, Frederic.\u00a0<\/strong>Forever Changes (Nost\u00e0lgic).\u00a0M\u00e1rquez, Jordi.\u00a0<\/strong>El largo camino hasta el mar (Espai de Fotografia Francesc Catal\u00e0 Roca).\u00a0Mart\u00ednez, Conchi.\u00a0<\/strong>Cuaderno de viajes (Art Deal Project).\u00a0Mat\u00e9s, Sergi.\u00a0<\/strong>Glowing Darkness (Lomography Embassy Barcelona).\u00a0Ord\u00f3\u00f1ez, C\u00e9sar.\u00a0<\/strong>Tadaima (Fifty Dots Gallery).\u00a0Rossell, Roger.\u00a0<\/strong>El bon dolor (Projekteria Art Gallery).\u00a0Teixidor, Joan.\u00a0<\/strong>Canvis substancials (Pati Llimona).\u00a0Tuparova, Gabriela.\u00a0<\/strong>La pell de l\u2019estiu (Espai de Fotografia Francesc Catal\u00e0 Roca)<\/span><\/p>\n

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https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Revela\u00b4T-2018-Resum.mp4<\/a><\/video><\/div>\n

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Revela’t 2018: Odysseys, a journey full of adventures2024 \/\u00a02023 \/ 2022 \/ 2021 \/ 2020 \/ 2019 \/ 2018 \/\u00a02017 \/ 2016 \/ 2015 \/ 2014 \/ 2013Odysseys\u00a0was the theme of the sixth edition of the festival, which referred us to Homer\u2019s poem recounting the adventures of Odysseus (Ulysses) on his journey from the conquered […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-653","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/653\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/media?parent=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}