{"id":559,"date":"2022-11-21T13:13:10","date_gmt":"2022-11-21T12:13:10","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=559"},"modified":"2024-11-07T10:07:53","modified_gmt":"2024-11-07T09:07:53","slug":"2019-eng","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/en\/2019-eng\/","title":{"rendered":"ENG – 2019"},"content":{"rendered":"

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Revela’t 2019: The good and the bad of the human being<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px||false|false” custom_padding=”0px|0px|180px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”||-2px|0px|false|false” custom_padding=”|||0px|false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

2024<\/a> \/\u00a02023<\/a> \/ 2022<\/a> \/ 2021<\/a> \/ 2020<\/a> \/ 2019\u00a0<\/strong>\/ 2018<\/a> \/ 2017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n

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The slogan of the 2019 edition was\u00a0<\/span>Klaatu Barada Nikto<\/strong>, a mythical phrase from a well-known science fiction film and with which we aimed to stimulate photographic projects that reflect the complex relationship between human beings and the planet by asking ourselves two very specific questions: Why would we deserve to be destroyed? or Why would we deserve to be saved?<\/span><\/p>\n

This year\u2019s edition featured two\u00a0<\/span>Magnum<\/strong>\u00a0<\/span>photographers,\u00a0<\/span>Bruce Gilden<\/strong>\u00a0<\/span>and\u00a0<\/span>David Burnett<\/strong>, who kindly lent us their exhibitions.
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We opened in the Teatro la Massa, with the film \u201cDe donde no se vuelve\u201d by\u00a0Alberto Garc\u00eda Alix<\/strong>\u00a0who received our \u201cDistintivo de Plata\u201c.<\/span><\/p>\n

And it was our first\u00a0<\/span>Revela\u2019t Day<\/strong>\u00a0<\/span>at the\u00a0<\/span>Antiga F\u00e0brica Estrella Damm in Barcelona<\/strong>, where we far exceeded expectations. And in Barcelona we also had a great exhibition by\u00a0<\/span>Acci\u00f3n Cultural Espa\u00f1ola AC\/E<\/strong>\u00a0<\/span>and\u00a0<\/span>Signo Editores<\/strong>, \u201c50 photographs with history<\/strong>\u201c, which tens of thousands of people were able to see, on Passeig Colom.<\/span><\/p>\n

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AC\/E y Signo editores,<\/b><\/strong>\u00a050 fotograf\u00edas con historia.\u00a0<\/span>Laia Albert.\u00a0<\/strong><\/span>El Tolar.\u00a0Laurie Baggett, .\u00a0<\/strong><\/span>Tilt, Game Over.\u00a0Byron Brauchli.\u00a0<\/strong><\/span>Caudales.\u00a0David Burnett, .\u00a0<\/strong><\/span>Aftermath.\u00a0Lorena Cosba, .<\/strong>\u00a0<\/span>Systema natur\u00e6.\u00a0Yvette Cruz.\u00a0<\/strong><\/span>Yggdrasil.\u00a0Javier de Reparaz,.\u00a0<\/strong><\/span>Tik At.\u00a0Laura Ellenberger.\u00a0<\/strong><\/span>Cape of Good Hope.\u00a0Jordi Esteva.\u00a0<\/strong><\/span>Los Oasis de Egipto.\u00a0<\/span>Marta F\u00e0bregas .\u00a0<\/strong><\/span>Colonitzades.\u00a0Film Shooters Collective,<\/span><\/strong>\u00a0<\/span>La Tierra, los aliens, la esperanza y lo desconocido.\u00a0<\/span>Urizen Freaza.\u00a0<\/strong><\/span>What was that?.\u00a0Jorge Fuembuena.\u00a0<\/strong>The end of cathedrals.\u00a0Fundaci\u00f3n Railowsky,\u00a0<\/span><\/strong>La Colecci\u00f3n de la Fundaci\u00f3n Railowsky. Una peque\u00f1a muestra.\u00a0<\/span>IEFC<\/strong>,\u00a0<\/span>Avistamientos.\u00a0Bruce\u00a0Gilden<\/strong>.\u00a0<\/b>Syracuse 1981.\u00a0<\/span>Evagelia Hagikalfa.\u00a0<\/strong><\/span>Microcosmos.\u00a0Ramzi Haidar.\u00a0<\/strong><\/span>Civil War.\u00a0Nobuyuki Kobayashi.<\/strong>\u00a0<\/span>Portrait of nature. Myriads of Gods.\u00a0Ren\u00e9 Malt\u00eate.\u00a0<\/span><\/strong>Humour!.\u00a0Fernando Maquieira.\u00a0<\/strong><\/span>Alucinosis.\u00a0\u00a0Mati Mart\u00ed.\u00a0<\/strong><\/span>Territorio Boom.\u00a0Bernat Millet<\/strong>.\u00a0<\/span>Bitter, sweet, soft.\u00a0Monsters for Animals (Rafael Doctor Roncero)<\/strong>,\u00a0<\/span>Monsters for Animals.\u00a0Bill Moseley, .\u00a0<\/strong>\u2018<\/span>A lake, a forest, and the dark voice of the sea\u2019.\u00a0<\/span>Museu Vida Rural \u2013 Fundaci\u00f3 Carulla,\u00a0<\/strong><\/span>The Dust Bowl.\u00a0Eduardo Nave, .\u00a0<\/strong><\/span>Mulberry Harbour.\u00a0Juli\u00e1n Ochoa, .\u00a0<\/strong><\/span>Alg\u00fan d\u00eda los coches volar\u00e1n.\u00a0James Rajotte, .<\/strong>\u00a0<\/span>La Ruta de la corrupci\u00f3n.\u00a0Residencia de Creaci\u00f3n y experimentaci\u00f3n fotogr\u00e1fica.<\/strong>\u00a0Alex Timmermans.\u00a0<\/span><\/strong>Storytelling.\u00a0Javier Viver.\u00a0<\/strong><\/span>R\u00e9v\u00e9lations & Archivo de lo Inclasificable..\u00a0<\/span>Sen Yusuf Murat, .\u00a0<\/strong><\/span>Wet City.\u00a0Irene Z\u00f3ttola, .\u00a0<\/strong><\/span>Dentro<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Exhibitions OFF<\/strong><\/span><\/p>\n

BADEM colectivo.<\/strong>\u00a0Habitantes y paisajes.<\/span>\u00a0<\/em>Ana Benavent.<\/strong>\u00a0Compartir piso a los 30.\u00a0Lomography BCN.\u00a0Mireia Bordonada.\u00a0<\/strong>A sangre. (FUGA. Centre de fotografia).\u00a0Jose Casanova y Josep Casacuberta<\/span>.<\/strong>\u00a0Massane. (Hotel Chic&Basic Velvet BCN).\u00a0\u00a0<\/em>Ana Daganzo.<\/strong>\u00a0Transmutaciones.\u00a0(Projekteria Art Gallery).\u00a0<\/span><\/em>(Wonder Photoshop).\u00a0Daniel Garc\u00eda Saravia.<\/strong>\u00a0Valira Drive. Fifty dots gallery.\u00a0Grupo Fotoapertura.<\/strong>\u00a0Paisaje posible. Cercle Art\u00edstic de Sant Lluc.\u00a0Jean Letellier.<\/strong>\u00a0Abandono. (Mec\u00e0nic).\u00a0\u00a0<\/span><\/em>C\u00e9sar Lucas.<\/strong>\u00a0Marisol, el resplandor de un mito.\u00a0<\/span>(VALID FOTO BCN).\u00a0Alejandra Morales.<\/strong>\u00a0Los cuerpos de Lewy (Can Bast\u00e9).\u00a0<\/span><\/em>Luisa Ordo\u00f1ez.<\/strong>\u00a0La respuesta de la Tierra.\u00a0(Pati Llimona).\u00a0<\/em>Marc Tom\u00e1s.<\/strong>\u00a0Mat\u00e8ria\u00a0(Nost\u00e0lgic).<\/em><\/span><\/p>\n

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<\/strong><\/b><\/span><\/p>\n

Here<\/a>\u00a0you can download the programme in catalan, spanish and english.<\/span><\/p>\n

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https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Resume-Horiz.mp4<\/a><\/video><\/div>\n

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Revela’t 2019: The good and the bad of the human being2024 \/\u00a02023 \/ 2022 \/ 2021 \/ 2020 \/ 2019\u00a0\/ 2018 \/ 2017 \/ 2016 \/ 2015 \/ 2014 \/ 2013The slogan of the 2019 edition was\u00a0Klaatu Barada Nikto, a mythical phrase from a well-known science fiction film and with which we aimed to stimulate […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-559","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/559","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/comments?post=559"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/559\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/media?parent=559"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}