{"id":34858,"date":"2025-03-11T10:47:44","date_gmt":"2025-03-11T09:47:44","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=34858"},"modified":"2025-04-14T11:21:18","modified_gmt":"2025-04-14T09:21:18","slug":"laura_aubree_and_ramses_silva","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/en\/laura_aubree_and_ramses_silva\/","title":{"rendered":"Laura Aubree  and Ramses Silva"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; module_class=&#8221;body-content&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;1500px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;2560px&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;title&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#000000&#8243; custom_padding=&#8221;||10px||false|false&#8221; custom_css_main_element=&#8221;@media (max-width: 2000px) {||.body-content {|| width: calc(100vw &#8211; 80px);|| margin: 0 40px 0 40px;||}||}&#8221; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1><span style=\"color: #000000;\"><strong>Laura Aubr\u00e9e i Rams\u00e9s Silva<\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_class=&#8221;body-content&#8221; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;1500px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px|0px|0px||false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;1&#8243; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;2560px&#8221; module_alignment=&#8221;left&#8221; min_height=&#8221;105.7px&#8221; custom_margin=&#8221;0px||0px|0px|false|false&#8221; custom_padding=&#8221;0px||45px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;text&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; custom_margin=&#8221;||-2px|0px|false|false&#8221; custom_padding=&#8221;|||0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"font-weight: light;\">De la luz a la materia<\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; link_option_url=&#8221;https:\/\/revela-t.cat\/2025\/ca\/exposicions_2025\/&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3 style=\"text-align: right;\"><span style=\"color: #4f6a37;\"><a class=\"link\" style=\"color: #4f6a37;\" href=\"https:\/\/revela-t.cat\/2025\/exhibitions_2025\/\" target=\"_blank\" rel=\"noopener\">&lt; Exhibitions<\/a><br \/>\n<\/span><\/h3>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_class=&#8221;body-content&#8221; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;1500px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px|0px|180px|0px|false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;3_4,1_4&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; min_height=&#8221;182.7px&#8221; custom_margin=&#8221;||0px|0px|false|false&#8221; custom_padding=&#8221;0px||0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_gallery gallery_ids=&#8221;32180,32181,32182,32183,32184&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;900px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;||70px||false|false&#8221; auto=&#8221;on&#8221; auto_speed=&#8221;6000&#8243; custom_css_main_element=&#8221;height: fit-content !important;&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_gallery][et_pb_text module_class=&#8221;text&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;900px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;left&#8221; min_height=&#8221;316px&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|90px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"0\" data-end=\"352\">The work of <strong>Laura Aubr\u00e9e and Rams\u00e9s Silva<\/strong> seeks to explore the relationship between image, matter, and time, establishing a dialogue between early photography and experimental cinema. Their proposal transcends the mere capture of reality, transforming the image into a space for reflection on memory, identity, and sacredness.<\/p>\n<p data-start=\"354\" data-end=\"838\">The project delves into the alchemical process of image creation, where light solidifies on glass and time fragments into emulsions. In this sense, it is not just about documenting or representing, but about questioning how we perceive and experience the image. Their work breaks with the linearity of time, creating a space where past and present merge, inviting the viewer to pause within the image and inhabit it as if it were a dream or a memory.<\/p>\n<p data-start=\"840\" data-end=\"1313\">Another essential aspect is the relationship between image and sacredness. The installation presents the cross not as a burden or a fixed symbol, but as an open possibility for new meanings. The central question that emerges is: What do we consider worthy of being sacred, and what stories do we inscribe into the symbols we inherit? In this sense, the work becomes a palimpsest, a superimposition of layers of meanings in constant transformation.<\/p>\n<p data-start=\"1315\" data-end=\"1597\" data-is-last-node=\"\" data-is-only-node=\"\">Thus, the exhibition functions as a liminal space, where photography and cinema dissolve, and where matter and spirit meet. It is an immersive experience that invites contemplation and reflection on the very nature of the image and its power to challenge us.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2025\/02\/retrato-laure-aubre.jpg&#8221; alt=&#8221;Blanca Berlin&#8221; title_text=&#8221;retrato laure aubre&#8221; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;||45px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text module_class=&#8221;text2&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||90px||false|false&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p data-start=\"52\" data-end=\"518\"><strong data-start=\"52\" data-end=\"83\">Laura Aubr\u00e9e\u00a0 ( Brest, Fran\u00e7a) i Rams\u00e9s Silva (Badajoz)<\/strong><\/p>\n<article class=\"w-full text-token-text-primary focus-visible:outline-2 focus-visible:outline-offset-[-4px]\" dir=\"auto\" data-testid=\"conversation-turn-169\" data-scroll-anchor=\"true\">\n<div class=\"text-base my-auto mx-auto py-[18px] px-6\">\n<div class=\"mx-auto flex flex-1 text-base gap-4 md:gap-5 lg:gap-6 md:max-w-3xl lg:max-w-[40rem] xl:max-w-[48rem]\">\n<div class=\"group\/conversation-turn relative flex w-full min-w-0 flex-col agent-turn @xs\/thread:px-0 @sm\/thread:px-1.5 @md\/thread:px-4\">\n<div class=\"flex-col gap-1 md:gap-3\">\n<div class=\"flex max-w-full flex-col flex-grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 whitespace-normal break-words text-start [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"897ea2a4-7ef5-4d22-a2bc-54524273d4ea\" data-message-model-slug=\"gpt-4o\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">\n<div class=\"markdown prose w-full break-words dark:prose-invert light\">\n<p data-start=\"0\" data-end=\"452\">They have been collaborating as photographers since 2023. Their artistic practice emerges from the exploration of experimental imagery, challenging the boundaries between static photography and cinematic movement. Through a combination of seemingly opposing techniques, such as wet collodion and analog cinema, they create dystopian visual landscapes in which their installations bring new semantics to the images.<\/p>\n<p data-start=\"454\" data-end=\"836\">In their visual language, photography is not just an image but also a physical object that crosses the boundary between the inanimate and the animated. Their work grants collodion an intimate space, inviting viewers to &#8220;cross&#8221; beyond perception, while opening a new dimension for cinema, which emerges as a palimpsest of meanings in constant evolution.<\/p>\n<p data-start=\"838\" data-end=\"1047\" data-is-last-node=\"\" data-is-only-node=\"\">This approach transforms their artistic creation into a dialogue between past and present, matter and visual experience, exploring the limits of the image and its ability to transform and transform us.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<p data-start=\"520\" data-end=\"1110\" data-is-last-node=\"\" data-is-only-node=\"\">\n<p data-start=\"520\" data-end=\"1110\" data-is-last-node=\"\" data-is-only-node=\"\"><a href=\"https:\/\/laura-aubree.fr\/\">www.lauraaubr\u00e9e.fr<\/a><\/p>\n<p data-start=\"520\" data-end=\"1110\" data-is-last-node=\"\" data-is-only-node=\"\"><a href=\"https:\/\/www.instagram.com\/aubreelaura\/\">@aubreelaura<\/a><\/p>\n<p data-start=\"520\" data-end=\"1110\" data-is-last-node=\"\" data-is-only-node=\"\">@hongo_nu<\/p>\n<h2 class=\"x1lliihq x1plvlek xryxfnj x1n2onr6 x1ji0vk5 x18bv5gf x193iq5w xeuugli x1fj9vlw x13faqbe x1vvkbs x1s928wv xhkezso x1gmr53x x1cpjm7i x1fgarty x1943h6x x1i0vuye x1ms8i2q xo1l8bm x5n08af x10wh9bi x1wdrske x8viiok x18hxmgj\" dir=\"auto\">\u00a0<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"font-size: large; color: #000000;\">In collaboration with<\/span><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2025\/04\/Vilapack.png&#8221; title_text=&#8221;Vilapack&#8221; url=&#8221;http:\/\/arterri.com\/es\/inici\/&#8221; url_new_window=&#8221;on&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Laura Aubr\u00e9e i Rams\u00e9s SilvaDe la luz a la materia &lt; Exhibitions The work of Laura Aubr\u00e9e and Rams\u00e9s Silva seeks to explore the relationship between image, matter, and time, establishing a dialogue between early photography and experimental cinema. Their proposal transcends the mere capture of reality, transforming the image into a space for reflection [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-34858","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"The work of Laura Aubree and Ramses Silva explores the image as memory and sacredness, merging photography and cinema into a palimpsest of evolving meanings.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<link rel=\"canonical\" href=\"https:\/\/revela-t.cat\/2025\/en\/laura_aubree_and_ramses_silva\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.8\" \/>\n\t\t<meta property=\"og:locale\" content=\"es_ES\" \/>\n\t\t<meta property=\"og:site_name\" content=\"revela-t.cat \u203a The Festival Revela&#039;t website\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Laura Aubree y Ramses Silva - 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