{"id":1205,"date":"2022-11-21T13:13:10","date_gmt":"2022-11-21T12:13:10","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=1205"},"modified":"2024-11-07T10:21:21","modified_gmt":"2024-11-07T09:21:21","slug":"2019-cat","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/ca\/2019-cat\/","title":{"rendered":"CAT – 2019"},"content":{"rendered":"

[et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”||0px||false|false” custom_padding=”48px||34px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”2560px” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”title” _builder_version=”4.20.2″ _module_preset=”default” text_text_color=”#000000″ custom_margin=”||||false|false” custom_padding=”||10px||false|false” custom_css_main_element=”@media (max-width: 2000px) {||.body-content {|| width: calc(100vw – 80px);|| margin: 0 40px 0 40px;||}||}” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

Revela’t 2019: El bo i el dolent de l’\u00e9sser hum\u00e0<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px||false|false” custom_padding=”0px|0px|180px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.27.2″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”||-2px|0px|false|false” custom_padding=”|||0px|false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

2024<\/a> \/\u00a02023<\/a> \/ 2022<\/a> \/ 2021<\/a> \/ 2020<\/a> \/\u00a02019<\/strong> \/ 2018<\/a> \/ 2017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” module_alignment=”left” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.20.2″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”|||0px|false|false” custom_padding=”||45px|0px|false|false” custom_css_main_element=”margin-right: 20px;” global_colors_info=”{}”]<\/p>\n

El lema de l\u2019edici\u00f3 2019 va ser\u00a0<\/span>Klaatu Barada Nikto<\/strong>, una frase m\u00edtica d\u2019una coneguda pel\u00b7l\u00edcula de ci\u00e8ncia-ficci\u00f3 i amb la que preten\u00edem estimular projectes fotogr\u00e0fics que reflectissin la complexa relaci\u00f3 de l\u2019\u00e9sser hum\u00e0 amb el planeta plantejant dues preguntes molt concretes. Per qu\u00e8 mereixer\u00edem ser destru\u00efts? O Per qu\u00e8 mereixer\u00edem salvar-nos?9\u00a0<\/span><\/p>\n

En aquesta edici\u00f3 van destacar dos fot\u00f2grafs de Magnum, Bruce Gilden i David Burnett que molt amablement ens van cedir les seves exposicions.<\/span><\/p>\n

Inaugurem el Teatre la Massa, amb la pel\u00b7l\u00edcula \u00abD\u2019on no es torna\u00bb d\u2019Alberto Garc\u00eda Alix<\/strong>\u00a0<\/span>que va rebre la nostra Distinci\u00f3 de Plata.<\/span><\/span><\/p>\n

I va ser la nostra primera edici\u00f3 del\u00a0<\/span>Revela\u2019t Day<\/strong>\u00a0<\/span>a l\u2018Antiga F\u00e0brica Estrella Damm<\/strong>, a Barcelona, on vam superar amb escreix les expectatives. I a Barcelona tamb\u00e9 vam tenir una gran exposici\u00f3 d\u2019Acci\u00f3 Cultural Espanyola AC\/E<\/strong>\u00a0<\/span>i Signe Editors,\u00a0\u201c50 fotografies amb hist\u00f2ria<\/strong>\u201c, que van poder veure desenes de milers de persones, al Passeig Colom.\u00a0<\/span><\/p>\n

[\/et_pb_text][et_pb_accordion open_toggle_background_color=”#FFFFFF” closed_toggle_text_color=”#000000″ closed_toggle_background_color=”#FFFFFF” toggle_icon=”L||divi||400″ icon_color=”#000000″ use_icon_font_size=”on” icon_font_size=”30px” icon_color_last_edited=”off|desktop” module_class=”t” _builder_version=”4.20.2″ _module_preset=”default” toggle_font=”|600|||||||” closed_toggle_text_align=”left” body_font_size=”16px” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” border_width_all=”0px” locked=”off” global_colors_info=”{}”][et_pb_accordion_item title=”Exposicions” open=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

<\/strong><\/span><\/p>\n

AC\/E y Signo editores,<\/b><\/strong>\u00a050 fotograf\u00edas con historia.\u00a0<\/span>Laia Albert.\u00a0<\/strong><\/span>El Tolar.\u00a0Laurie Baggett, .\u00a0<\/strong><\/span>Tilt, Game Over.\u00a0Byron Brauchli.\u00a0<\/strong><\/span>Caudales.\u00a0David Burnett, .\u00a0<\/strong><\/span>Aftermath.\u00a0Lorena Cosba, .<\/strong>\u00a0<\/span>Systema natur\u00e6.\u00a0Yvette Cruz.\u00a0<\/strong><\/span>Yggdrasil.\u00a0Javier de Reparaz,.\u00a0<\/strong><\/span>Tik At.\u00a0Laura Ellenberger.\u00a0<\/strong><\/span>Cape of Good Hope.\u00a0Jordi Esteva.\u00a0<\/strong><\/span>Los Oasis de Egipto.\u00a0<\/span>Marta F\u00e0bregas .\u00a0<\/strong><\/span>Colonitzades.\u00a0Film Shooters Collective,<\/span><\/strong>\u00a0<\/span>La Tierra, los aliens, la esperanza y lo desconocido.\u00a0<\/span>Urizen Freaza.\u00a0<\/strong><\/span>What was that?.\u00a0Jorge Fuembuena.\u00a0<\/strong>The end of cathedrals.\u00a0Fundaci\u00f3n Railowsky,\u00a0<\/span><\/strong>La Colecci\u00f3n de la Fundaci\u00f3n Railowsky. Una peque\u00f1a muestra.\u00a0<\/span>IEFC<\/strong>,\u00a0<\/span>Avistamientos.\u00a0Bruce\u00a0Gilden<\/strong>.\u00a0<\/b>Syracuse 1981.\u00a0<\/span>Evagelia Hagikalfa.\u00a0<\/strong><\/span>Microcosmos.\u00a0Ramzi Haidar.\u00a0<\/strong><\/span>Civil War.\u00a0Nobuyuki Kobayashi.<\/strong>\u00a0<\/span>Portrait of nature. Myriads of Gods.\u00a0Ren\u00e9 Malt\u00eate.\u00a0<\/span><\/strong>Humour!.\u00a0Fernando Maquieira.\u00a0<\/strong><\/span>Alucinosis.\u00a0\u00a0Mati Mart\u00ed.\u00a0<\/strong><\/span>Territorio Boom.\u00a0Bernat Millet<\/strong>.\u00a0<\/span>Bitter, sweet, soft.\u00a0Monsters for Animals (Rafael Doctor Roncero)<\/strong>,\u00a0<\/span>Monsters for Animals.\u00a0Bill Moseley, .\u00a0<\/strong>\u2018<\/span>A lake, a forest, and the dark voice of the sea\u2019.\u00a0<\/span>Museu Vida Rural \u2013 Fundaci\u00f3 Carulla,\u00a0<\/strong><\/span>The Dust Bowl.\u00a0Eduardo Nave, .\u00a0<\/strong><\/span>Mulberry Harbour.\u00a0Juli\u00e1n Ochoa, .\u00a0<\/strong><\/span>Alg\u00fan d\u00eda los coches volar\u00e1n.\u00a0James Rajotte, .<\/strong>\u00a0<\/span>La Ruta de la corrupci\u00f3n.\u00a0Residencia de Creaci\u00f3n y experimentaci\u00f3n fotogr\u00e1fica.<\/strong>\u00a0Alex Timmermans.\u00a0<\/span><\/strong>Storytelling.\u00a0Javier Viver.\u00a0<\/strong><\/span>R\u00e9v\u00e9lations & Archivo de lo Inclasificable..\u00a0<\/span>Sen Yusuf Murat, .\u00a0<\/strong><\/span>Wet City.\u00a0Irene Z\u00f3ttola, .\u00a0<\/strong><\/span>Dentro<\/span><\/p>\n

Exposicions OFF<\/strong><\/span><\/p>\n

BADEM colectivo.<\/strong>\u00a0Habitantes y paisajes.<\/span>\u00a0<\/em>Ana Benavent.<\/strong>\u00a0Compartir piso a los 30.\u00a0Lomography BCN.\u00a0Mireia Bordonada.\u00a0<\/strong>A sangre. (FUGA. Centre de fotografia).\u00a0Jose Casanova y Josep Casacuberta<\/span>.<\/strong>\u00a0Massane. (Hotel Chic&Basic Velvet BCN).\u00a0\u00a0<\/em>Ana Daganzo.<\/strong>\u00a0Transmutaciones.\u00a0(Projekteria Art Gallery).\u00a0<\/span><\/em>(Wonder Photoshop).\u00a0Daniel Garc\u00eda Saravia.<\/strong>\u00a0Valira Drive. Fifty dots gallery.\u00a0Grupo Fotoapertura.<\/strong>\u00a0Paisaje posible. Cercle Art\u00edstic de Sant Lluc.\u00a0Jean Letellier.<\/strong>\u00a0Abandono. (Mec\u00e0nic).\u00a0\u00a0<\/span><\/em>C\u00e9sar Lucas.<\/strong>\u00a0Marisol, el resplandor de un mito.\u00a0<\/span>(VALID FOTO BCN).\u00a0Alejandra Morales.<\/strong>\u00a0Los cuerpos de Lewy (Can Bast\u00e9).\u00a0<\/span><\/em>Luisa Ordo\u00f1ez.<\/strong>\u00a0La respuesta de la Tierra.\u00a0(Pati Llimona).\u00a0<\/em>Marc Tom\u00e1s.<\/strong>\u00a0Mat\u00e8ria\u00a0(Nost\u00e0lgic).<\/em><\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”Programaci\u00f3” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” content__hover_enabled=”off|desktop” open=”off”]Enaquest enlla\u00e7<\/a><\/strong> us podeu descarregar el programa de m\u00e0 en catal\u00e0, castell\u00e0 i angl\u00e8s.<\/span><\/span>[\/et_pb_accordion_item][et_pb_accordion_item title=”Video resum” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” open=”off”] <\/p>\n

https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Resume-Horiz.mp4<\/a><\/video><\/div>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Poster_A3_RGB_LR-pdf.jpg” title_text=”Poster_A3_RGB_LR” force_fullwidth=”on” _builder_version=”4.20.2″ _module_preset=”default” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Revela’t 2019: El bo i el dolent de l’\u00e9sser hum\u00e02024 \/\u00a02023 \/ 2022 \/ 2021 \/ 2020 \/\u00a02019 \/ 2018 \/ 2017 \/ 2016 \/ 2015 \/ 2014 \/ 2013El lema de l\u2019edici\u00f3 2019 va ser\u00a0Klaatu Barada Nikto, una frase m\u00edtica d\u2019una coneguda pel\u00b7l\u00edcula de ci\u00e8ncia-ficci\u00f3 i amb la que preten\u00edem estimular projectes fotogr\u00e0fics que […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-1205","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1205","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/comments?post=1205"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1205\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/media?parent=1205"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}