{"id":1174,"date":"2022-11-22T10:17:55","date_gmt":"2022-11-22T09:17:55","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=1174"},"modified":"2024-11-07T10:18:38","modified_gmt":"2024-11-07T09:18:38","slug":"2016-cat","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/ca\/2016-cat\/","title":{"rendered":"CAT &#8211; 2016"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; module_class=&#8221;body-content&#8221; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;1500px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;||0px||false|false&#8221; custom_padding=&#8221;48px||34px||false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;2560px&#8221; custom_margin=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;title&#8221; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#000000&#8243; custom_margin=&#8221;||||false|false&#8221; custom_padding=&#8221;||10px||false|false&#8221; custom_css_main_element=&#8221;@media (max-width: 2000px) {||.body-content {||  width: calc(100vw &#8211; 80px);||  margin: 0 40px 0 40px;||}||}&#8221; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1><span style=\"color: #000000;\"><strong>Revela&#8217;t 2016: Amb la mirada al futur<\/strong><\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_class=&#8221;body-content&#8221; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;1500px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin=&#8221;0px|0px|0px||false|false&#8221; custom_padding=&#8221;0px|0px|180px|0px|false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;1&#8243; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;900px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;0px||0px|0px|false|false&#8221; custom_padding=&#8221;0px||45px|0px|false|false&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.19.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;text&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; custom_margin=&#8221;||-2px|0px|false|false&#8221; custom_padding=&#8221;|||0px|false|false&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><span style=\"color: #808080;\"><a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/2024\/ca\/\" target=\"_blank\" rel=\"noopener\">2024<\/a> \/\u00a0<a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2023-cat\/\" target=\"_blank\" rel=\"noopener\">2023<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2022-cat\/\" target=\"_blank\" rel=\"noopener\">2022<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2021-cat\/\" target=\"_blank\" rel=\"noopener\">2021<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2020-cat\/\" target=\"_blank\" rel=\"noopener\">2020<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2019-cat\/\" target=\"_blank\" rel=\"noopener\">2019<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2018-cat\/\" target=\"_blank\" rel=\"noopener\">2018<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2017-cat\/\" target=\"_blank\" rel=\"noopener\">2017<\/a> \/ <strong>2016<\/strong> \/\u00a0<a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2015-cat\/\" target=\"_blank\" rel=\"noopener\">2015<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2014-cat\/\" target=\"_blank\" rel=\"noopener\">2014<\/a> \/ <a style=\"color: #808080;\" href=\"https:\/\/revela-t.cat\/2025\/ca\/2013-cat\/\" target=\"_blank\" rel=\"noopener\">2013<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;3_5,2_5&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;left&#8221; custom_padding=&#8221;0px||0px|||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text module_class=&#8221;text&#8221; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; width=&#8221;900px&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;left&#8221; custom_margin=&#8221;|||0px|false|false&#8221; custom_padding=&#8221;||45px|0px|false|false&#8221; custom_css_main_element=&#8221;margin-right: 20px;&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span class=\"font-555555\">La quarta edici\u00f3 del festival Revela\u2019t i la primera amb un lema,<span>\u00a0<\/span><strong>Forever Young<\/strong>. Un esperit jove representat per dos models que miren sense complexos cap a la c\u00e0mera i cap al futur. Una imatge que ens va cedir la fot\u00f2grafa<span>\u00a0<\/span><strong>Jacquelin Roberts<span>\u00a0<\/span><\/strong>i que reflecteix clarament l\u2019esperit del festival. \u00a0<\/span><\/p>\n<p><span class=\"font-555555\">Durant tres caps de setmana es va poder veure el treball dels autors que executen la seva obra amb processos qu\u00edmics i anal\u00f2gics; actuals, originals i irreverents d\u2019aquest segle XXl i per aix\u00f2, sempre joves.\u00a0<\/span><\/p>\n<p><span class=\"font-555555\">La Distinci\u00f3 de Plata\u00a0del festival va ser en aquesta ocasi\u00f3 per a la nostra admirada\u00a0<strong>Joana Biarn\u00e9s<\/strong>.<\/span><\/p>\n<p>[\/et_pb_text][et_pb_accordion open_toggle_background_color=&#8221;#FFFFFF&#8221; closed_toggle_text_color=&#8221;#000000&#8243; closed_toggle_background_color=&#8221;#FFFFFF&#8221; toggle_icon=&#8221;&#x4c;||divi||400&#8243; icon_color=&#8221;#000000&#8243; use_icon_font_size=&#8221;on&#8221; icon_font_size=&#8221;30px&#8221; icon_color_last_edited=&#8221;off|desktop&#8221; module_class=&#8221;t&#8221; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; toggle_font=&#8221;|600|||||||&#8221; closed_toggle_text_align=&#8221;left&#8221; body_font_size=&#8221;16px&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; border_width_all=&#8221;0px&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_accordion_item title=&#8221;Exposicions&#8221; open=&#8221;on&#8221; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px|||0px|false|false&#8221; custom_padding=&#8221;0px|||0px|false|false&#8221; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><span style=\"color: #000000;\"><strong><\/strong><\/span><\/p>\n<p><span style=\"color: #000000;\"><strong>Antonio Alay,\u00a0<\/strong>Rocker, retrato de un esp\u00edritu.\u00a0<b>Iwona Aleksandrowicz,\u00a0<\/b>Retratos y desnudos.\u00a0<strong>Francesc Arn\u00f3,\u00a0<\/strong>Formentera \u201cOrigens\u201d.\u00a0<strong>Soren Berenguer,\u00a0<\/strong>Barcelona Infrarroja\u00a0<strong>J.M. Castro Prieto,\u00a0<\/strong>Per\u00fa, viaje al Sol.\u00a0<strong><b>Joanne Coates,\u00a0<\/b><\/strong>Liznojan<strong>. Mike Crawford, Obsolete &amp; Discontinued\u00a0<b>Pablo Conejo,\u00a0<\/b><\/strong>Everyday People.\u00a0<b>Robin Cracknell,\u00a0<\/b>Weight, the sea.\u00a0<b>Agust\u00edn David,\u00a0<\/b>At the heart of it \/ Al coraz\u00f3n.\u00a0<strong>Daniel Espinoza,\u00a0<\/strong>Ride your guayabas.\u00a0<strong>Jaume Estap\u00e9,<\/strong>\u00a0Primitiu i actual.\u00a0<strong>Llu\u00eds Estopi\u00f1an,\u00a0<\/strong>Disclosed Memory.\u00a0<strong>John Fink,\u00a0<\/strong>Of The Earth.\u00a0<strong>Urizen Freaza,\u00a0<\/strong>Dobles.\u00a0<strong>Christian Heigner,\u00a0<\/strong>Berufsbild. Kollodium.\u00a0<strong>Michalina Hendrys,\u00a0<\/strong>Autoportrait.\u00a0<strong>Constanza Isaza,\u00a0<\/strong>Evoluci\u00f3n.\u00a0<b>Markus Kaesler,\u00a0<\/b>Shapes of Structure.\u00a0<strong>Bastian Kalous,\u00a0<\/strong>Small Humans.\u00a0<strong>Michael Kenna,\u00a0<\/strong>La mirada l\u00edquida.\u00a0<strong>Ehab Khater,\u00a0<\/strong>Hand-coloring interpretation.\u00a0<b>Juro Kovacik,\u00a0<\/b>Bratislava<b>. Roman Kravchenko,\u00a0<\/b>Crimea \u2013 unfinished journe.\u00a0<strong>Zakira,\u00a0<\/strong>Lahza 2.\u00a0<b>Jes\u00fas Lim\u00e1rquez,\u00a0<\/b>New antique series.\u00a0<strong>\u00c0lex Llovet,\u00a0<\/strong>Querido vecino,\u00a0<strong>Andr\u00e9s L\u00f3pez ALL,\u00a0<\/strong>Tempus Fugit.\u00a0<b>Frank Machalowski,\u00a0<\/b>Tierwald.\u00a0<strong>Jos\u00e9 Manuel Magano,\u00a0<\/strong>El misterio de la creaci\u00f3n.\u00a0<strong>Rub\u00e9n Morales,\u00a0<\/strong>15\/16.\u00a0<strong>NOPO &amp; Camara con Alas.\u00a0<\/strong>\u00a0<b>Jos\u00e9 M\u00aa de Orbe,\u00a0<\/b>The Neighbours Project.\u00a0<strong>Andr\u00e9s Pantoja,\u00a0<\/strong>Folding light.\u00a0<strong>Joaqu\u00edn Paredes,\u00a0<\/strong>Hemicr\u00e1nea.\u00a0<strong>Herschel Pollard<\/strong>, Next Best Thing Pinhole Project.\u00a0<strong>Jos\u00e9 Manuel Poyatos,\u00a0<\/strong>Los negocios del poder.\u00a0<b>Jacquelin Roberts,\u00a0<\/b>N\u00e9bula.\u00a0<strong>Arnau Rovira,\u00a0<\/strong>Re-Form.\u00a0<b>Grzegorz Sawa-Boryslawski,\u00a0<\/b>Ghosts of Chernobyl.\u00a0<b>Anabelle Schattens,\u00a0<\/b>15 minutes of fame\u00a0\u00a0<strong>Tagomago Collectors Project,\u00a0<\/strong>Manos que no ven.\u00a0<strong>The Film Shooters Collective,<\/strong>\u00a0North, South, East and West (NSEW).\u00a0<strong>Ana Tornel,\u00a0<\/strong>Cris\u00e1lidas.\u00a0<b>Magdalene Wanderlust,\u00a0<\/b>Stream of Gold.\u00a0<b>Heather F. Wetzel,\u00a0<\/b>Salvage Landscapes.\u00a0<b>Deanna M. Witman,\u00a0<\/b>Melt\u00a0<strong>Masao Yamamoto,\u00a0<\/strong>Small things in silence.\u00a0<b>Anna Yeroshenko,\u00a0<\/b>Wandering Stars<\/span><\/p>\n<p>[\/et_pb_accordion_item][et_pb_accordion_item title=&#8221;Video resum&#8221; _builder_version=&#8221;4.20.2&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px|||0px|false|false&#8221; custom_padding=&#8221;0px|||0px|false|false&#8221; border_width_bottom=&#8221;1px&#8221; border_color_bottom=&#8221;#000000&#8243; global_colors_info=&#8221;{}&#8221; open=&#8221;off&#8221;]&nbsp;<\/p>\n<p><div style=\"width: 1080px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-1174-1\" width=\"1080\" height=\"608\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Revela-t2016-4.mp4?_=1\" \/><a href=\"https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Revela-t2016-4.mp4\">https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Revela-t2016-4.mp4<\/a><\/video><\/div>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.19.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/2016.png&#8221; title_text=&#8221;2016&#8243; force_fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.19.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Revela&#8217;t 2016: Amb la mirada al futur2024 \/\u00a02023 \/ 2022 \/ 2021 \/ 2020 \/ 2019 \/ 2018 \/ 2017 \/ 2016 \/\u00a02015 \/ 2014 \/ 2013La quarta edici\u00f3 del festival Revela\u2019t i la primera amb un lema,\u00a0Forever Young. Un esperit jove representat per dos models que miren sense complexos cap a la c\u00e0mera i [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-1174","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/comments?post=1174"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1174\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/media?parent=1174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}