{"id":1023,"date":"2022-11-21T12:03:29","date_gmt":"2022-11-21T11:03:29","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=1023"},"modified":"2024-01-03T10:06:55","modified_gmt":"2024-01-03T09:06:55","slug":"2022-fra","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/2022-fra\/","title":{"rendered":"FRA – 2022"},"content":{"rendered":"

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Revela’t 2022: Tempus Fugit<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px||false|false” custom_padding=”0px|0px|180px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.23.4″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”||-2px|0px|false|false” custom_padding=”|||0px|false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

2023<\/a> \/ 2022<\/strong> \/ 2021<\/a> \/ 2020<\/a> \/ 2019<\/a> \/ 2018<\/a> \/ 2017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n

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En 2022, le th\u00e8me de Revela’t \u00e9tait Tempus Fugit<\/strong>. A l’occasion de notre dixi\u00e8me anniversaire, il faut bien admettre que cette fois-ci, nous pourrions presque parler de “nostalgie”, le temps a d\u00e9fil\u00e9. Revela’t a r\u00e9uni les r\u00eaveurs, les non-conformistes, les intr\u00e9pides, les infatigables, ceux qui n’ont pas peur d’essayer d’explorer des chemins diff\u00e9rents des habituels dans cette dixi\u00e8me \u00e9dition.<\/p>\n

Comme toujours, nous avons eu un vaste programme d’expositions, de conf\u00e9rences, de d\u00e9bats, de d\u00e9monstrations, d’ateliers, de stands d’exposition et de vente; En plus des personnalit\u00e9s nationales et internationales pertinentes…<\/p>\n

66 expositions ont pu \u00eatre vues, dont 36 ont pu \u00eatre visit\u00e9es du 9 septembre au 2 octobre \u00e0 Vilassar de Dalt. Le laur\u00e9at de cette \u00e9dition \u00e9tait le c\u00e9l\u00e8bre Joan Fontcuberta<\/strong>.<\/p>\n

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<\/strong><\/span><\/p>\n

A Bao a Qu<\/strong>\u00a0Estimats esp\u00e8cimens. Impressions bot\u00e0niques en cianot\u00edpia.\u00a0Alessandra Sanguinetti<\/strong>\u00a0Las aventuras de Guille y Belinda.\u00a0Alexey Titarenko<\/strong>\u00a0City of shadows & Nomenklatura of Signs.\u00a0Antonio Martin (MICHAEL)<\/strong>\u00a0Al borde del aeropuerto.\u00a0Atsushi Momoi<\/strong>\u00a0Tales.\u00a0Barbara Traver<\/strong>\u00a0Publish or perish.\u00a0Beberly Estay Estay<\/strong>\u00a0Bajo todos los cielos.\u00a0Cristina Fontsar\u00e9<\/strong>\u00a0A Crack in The Mirror \/ Una Grieta en el Espejo.\u00a0Daniel Fleitas<\/strong>\u00a0C\u00famulo.\u00a0Deanna Dikeman<\/strong>\u00a0Leaving and Waving.\u00a0Diego L\u00f3pez Calvin<\/strong>\u00a0Solarigrafia.\u00a0Elise Corten<\/strong>\u00a0Warmer than the sun.\u00a0Elise y Jacques<\/strong>\u00a0Le commun des mortels.\u00a0Exposici\u00f3n Colectiva revelatxharpo<\/strong>\u00a0La nueva mirada anal\u00f3gica.\u00a0Frank Machalowski<\/strong>\u00a0Ghosts of\u2026\u00a0Jun Shiraoka (Henry Bellan-Huchery)\u00a0<\/strong>\u00bfCette lumi\u00e8re, peut-elle tout un monde nous rendre?\u00a0IEFC<\/strong>\u00a0Tempo arg\u00e8ntic.\u00a0Institut Inmaculada & Lux Darkroom\u00a0<\/strong>Terra, mar i cel.\u00a0Jose Maria Diaz Maroto<\/strong>\u00a0Calma y sosiego.\u00a0Joan Fontcuberta<\/strong>\u00a0Cuando despert\u00f3 el dinosaurio a\u00fan segu\u00eda all\u00ed.\u00a0Joaquin Paredes<\/strong>\u00a0Ambrotos.\u00a0JM Magano\u00a0<\/strong>Mucho por ver.\u00a0Juan de la Cruz Meg\u00edas<\/strong>\u00a0Vivan los novios.\u00a0Luis Gonz\u00e1lez Palma<\/strong>\u00a0Constelaciones de lo intangible.\u00a0Manabu Yamanaka<\/strong>\u00a0Gyahtei: Resigned to Death.\u00a0Mark Formanek<\/strong>\u00a0Standard Time.\u00a0Munemasa Takahashi<\/strong>\u00a0Spinning a Yarn.\u00a0Natalia Kepesz<\/strong>\u00a0Niewybuch.\u00a0Nieves Mingueza<\/strong>\u00a0One in three women \/ Caso 31-81.\u00a0Paola de Grenet<\/strong>\u00a0Barely Legal.\u00a0Pep Minguez<\/strong>\u00a0Eterns.\u00a0Rafa Badia<\/strong>\u00a0A\u00f1os en plata.\u00a0Rodrigo Flechoso<\/strong>\u00a0Gallegos del R\u00edo.\u00a0Tomoko Nagakawa<\/strong>\u00a0I come from the path behind you\/ Cadence.\u00a0Xavier G\u00f3mez Isart\u00a0<\/strong>Retratos de papel y plata.\u00a0<\/span><\/p>\n

R\u2019T CIRCUIT:\u00a0<\/span><\/strong><\/p>\n

BCN:\u00a0Inga Kn\u00f6like,\u00a0<\/strong>Erms, 1993-1994 en la Galeria Juan Naranjo.\u00a0Joan Ram\u00f3n Machado<\/strong>, Transe\u00fantes en Valid Foto Gallery.\u00a0Joaquim Pla Janini,\u00a0<\/strong>BROMOLIS. FOTOGRAFIA PICTORIALISTA en el Museu mar\u00edtim de Barcelona.\u00a0Manu Jaime,\u00a0<\/strong>Gemela Reversible en Imagin Caf\u00e9.\u00a0Maribel Mata + Jaume Buxeda,\u00a0<\/strong>L\u2019esvaiment i el rastre Converses amb la mort en la Galeria II Mondo.\u00a0Marisol Mendez,\u00a0<\/strong>Madres en La B\u00f2bila.\u00a0Nils Gabrielsson,\u00a0<\/strong>Blanked en el Centre Art\u00edstic Sant Lluc.\u00a0Richard Avadon,\u00a0<\/strong>Behind the scenes en FotoNostrum.\u00a0Tony Keeler<\/strong>, KEELERSCOPE en IEFC.\u00a0Xavier Bas<\/strong>, Molles de pa en Visual Korner.<\/span><\/p>\n

AUTRES CIT\u00c9S: <\/span>Alfredo Herrezuelo Perez,\u00a0<\/strong>PASADO-PRESENTE-FUTURO en Espacio Tangente, Burgos.\u00a0<\/span>Andrea Keynox,\u00a0<\/strong>PAUSA en Espacio Tangente, Burgos.\u00a0<\/span>David Castillo,<\/strong>\u00a0COMO BUSCAN LAS OLAS LA ORILLA DEL MAR en Espacio Tangente, Burgos.\u00a0<\/span>Faouzi Louadah,\u00a0<\/strong>My art school years en La Capsule, Algeria.\u00a0<\/span>Jorge Mir bel,\u00a0<\/strong>Sandstorm en Sales de plata, Madrid.\u00a0<\/span>Manuel Sonseca,\u00a0<\/strong>Cartas de Sicilia en la Sala Municipal de Villanueva de la Serena, Badajoz.\u00a0<\/span>M\u00f2nica Rosell\u00f3 y Jordi Guillumet<\/strong>, Registres Pendents en Can Marf\u00e0, Matar\u00f3.\u00a0<\/span>Natalia Seurin,\u00a0<\/strong>Te amo demasiado en Siniestro, Madrid.\u00a0<\/span>Ra\u00fal Hidalgo,\u00a0<\/strong>La Casa de la portera en Amics fotografia Torroella (Museu Mediterr\u00e0nia), Girona.\u00a0\u00a0<\/span>Ricardo Guix\u00e0 Frut\u00f3s i Anna Couderc,\u00a0<\/strong>V\u00e1nitas en el Ajuntamiento de Premi\u00e0 de Mar, Premi\u00e0 de Mar.\u00a0<\/span>Sergio Ibannez,\u00a0<\/strong>HUELLA en Espacio Tangente, Burgos.<\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”Programme” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” content__hover_enabled=”off|desktop” open=”off”]<\/strong><\/p>\n

Dans ce lien, <\/a><\/strong>vous pouvez t\u00e9l\u00e9charger le programme.<\/span>[\/et_pb_accordion_item][et_pb_accordion_item title=”Vid\u00e9o r\u00e9sum\u00e9” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” open=”off”]<\/p>\n

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https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Revelat2022_Versio3_Aftermovie_DCMediaProjects.mp4<\/a><\/video><\/div>\n

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Revela’t 2022: Tempus Fugit2023 \/ 2022 \/ 2021 \/ 2020 \/ 2019 \/ 2018 \/ 2017 \/ 2016 \/ 2015 \/ 2014 \/ 2013En 2022, le th\u00e8me de Revela’t \u00e9tait Tempus Fugit. A l’occasion de notre dixi\u00e8me anniversaire, il faut bien admettre que cette fois-ci, nous pourrions presque parler de “nostalgie”, le temps a d\u00e9fil\u00e9. […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-1023","page","type-page","status-publish","hentry"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t