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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px||false|false” custom_padding=”0px|0px|180px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.23.4″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”||-2px|0px|false|false” custom_padding=”|||0px|false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
2023<\/a> \/ 2022<\/a> \/\u00a02021<\/strong> \/ 2020<\/a> \/ 2019<\/a> \/ 2018<\/a> \/ 2017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.19.5″ _module_preset=”default” width=”100%” max_width=”100%” module_alignment=”left” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.19.5″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.20.2″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”|||0px|false|false” custom_padding=”||45px|0px|false|false” custom_css_main_element=”margin-right: 20px;” global_colors_info=”{}”]En 2021, sous le couvert d’une ann\u00e9e tant particuli\u00e8re, tout \u00e0 chacun a adopt\u00e9 de nouvelles perspectives, redimensionnant les “petites choses”. Tortionnant le temps, qui une fois devenu long, a pour certains \u00e9t\u00e9 source de cr\u00e9ativit\u00e9.<\/p>\n Pour 2021, Revela’t s’est vu titr\u00e9 Univers propres<\/strong>,d\u00e9coulant du monde que nous nous sommes cr\u00e9\u00e9, un m\u00e9mo pour ne plus oublier que la culture et l\u2019art sont la nourriture de notre \u00e2me.<\/p>\n Nous avons s\u00e9lectionn\u00e9 pour cette \u00e9dition des \u0153uvres plus personnelles, plus introspectives, plus d\u2019auteur, philias ou phobies, obsessions et tocs, r\u00e9p\u00e9titions qui d\u00e9voilent notre propre univers et deviennent comme une porte vers qui nous sommes.<\/p>\n En 2021, 64 expositions au total ont \u00e9t\u00e9 pr\u00e9sent\u00e9es, dont 38 \u00e0 Vilassar de Dalt. L\u2019hommage a \u00e9t\u00e9 rendu \u00e0 Isabel Mu\u00f1oz<\/strong>, prix PHotoESpa\u00f1a.[\/et_pb_text][et_pb_accordion open_toggle_background_color=”#FFFFFF” closed_toggle_text_color=”#000000″ closed_toggle_background_color=”#FFFFFF” toggle_icon=”L||divi||400″ icon_color=”#000000″ use_icon_font_size=”on” icon_font_size=”30px” icon_color_last_edited=”off|desktop” module_class=”t” _builder_version=”4.20.2″ _module_preset=”default” toggle_font=”|600|||||||” closed_toggle_text_align=”left” body_font_size=”16px” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” border_width_all=”0px” locked=”off” global_colors_info=”{}”][et_pb_accordion_item title=”Expositions” open=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n <\/strong><\/p>\n Laura Aubr\u00e9e<\/strong>, Regnum Nautarae.\u00a0Marc \u00c0vila,<\/strong>\u00a0Homo et Natura.\u00a0Leonor Benito de la Lastra<\/strong>, Naturaleza no recuperable \/\/ Cuerpo.\u00a0Susana Blasco<\/strong>,Fugaces.\u00a0Montse Campins<\/strong>, El ritme dels dies.\u00a0Mercedes Cosano,<\/strong>\u00a0Emersi\u00f3n.\u00a0Florence Cuschieri,<\/strong>\u00a0Exodus.\u00a0Bruno Daureo,<\/strong>\u00a0Apo.\u00a0Margarito dela Guetto,<\/strong>\u00a0Pieles turbias.\u00a0Max Donoso,<\/strong>\u00a0Mar negra.\u00a0Fernando Flores Huecas,<\/strong>Serendipias \/ Jard\u00edn de arena.<\/strong>\u00a0Ai Futaki,<\/strong>\u00a0Co \u2013 exist.\u00a0George Georgiou<\/strong>, American Parade\u00a0Paco G\u00f3mez,<\/strong>Wattebled\u00a0Ricardo Guix\u00e0 Frutos<\/strong>, Melothesia.\u00a0Ralf Jacobs,<\/strong>\u00a0Laser chaos cyanotypes.\u00a0Miho Kajioka,<\/strong>\u00a0So it goes.\u00a0Valentina Kalinger,<\/strong>\u00a0Al Oeste est\u00e1 el Sol.\u00a0Alex Llovet & Josep M\u00aa de Llobet,<\/strong>\u00a0Epistolario.\u00a0Ver\u00f3nica Losantos,<\/strong>\u00a0Archaia.\u00a0Eri Makita<\/strong>, Ma\u00f1anas de verano.\u00a0Santos Montes,<\/strong>\u00a0Mata Hari.\u00a0Ricardo Montesdeoca,\u00a0<\/strong>\u00c1frica.\u00a0Isabel Mu\u00f1oz,<\/strong>\u00a0Somos Agua.\u00a0Sina Niemeyer,<\/strong>Ignoscentia.\u00a0Sohei Nishino,\u00a0<\/strong>Diorama Map.\u00a0Laura Pannack,<\/strong>Island Symmetries.\u00a0Lucia Peluffo,\u00a0<\/strong>Une Tentative d\u2019\u00e9quilibre.\u00a0Kati Riquelme,\u00a0<\/strong>Casi todo es azul.\u00a0Aleydis Rispa,\u00a0<\/strong>MINIM\u00a0Jan Schlegel,<\/strong>Creature of the seven seas.\u00a0Giorgi Shengelia,\u00a0<\/strong>Transfiguration or 17 On.\u00a0Irmina Anna Walczak,\u00a0<\/strong>Oasis: In Our Quarantine Yard.\u00a0Ilan Wolff,\u00a0<\/strong>\u201cCamera Obscura \u201c.\u00a0La GayaReta,\u00a0<\/strong>Lunaris<\/span><\/p>\n Collectives: \u00c9l\u00e8ves de l\u2019atelier de Joan Teixidor & Manuel Serra& IEFC, Film Shutter Collective FSC y Magic Club BCN 3D<\/span><\/p>\n + 26 villes<\/strong><\/span><\/p>\n 11 dans diff\u00e9rentes galleries de Barcelone:\u00a0Ra\u00fal Hidalgo Plasencia, Lucie Hodiesne, Jaume Mu\u00f1oz, Llu\u00eds Ripoll, Alisa Sibirskaya, Joan Teixidor, Lluis Tudela, Maria Vernet, Henri Verreet, et Michael Wagener<\/span><\/p>\n 9 expositions \u00e0 Vic;\u00a04 de Manel Esclusa, et d\u2019autres de Tino Soriano, Llu\u00eds Estopi\u00f1an, Pili Concell\u00f3n, Joaqu\u00edn Melero, et une installation sur l\u2019histoire de la photographie \u00e0 a La Farinera de Vic<\/span><\/p>\n Frank Lassak \u00e0 Matar\u00f3,\u00a0Diane Meyer \u00e0 Premi\u00e0 de Mar,\u00a0Rodrigo Flechoso \u00e0 L\u2019Hospitalet de Llobregat,\u00a0Edra Galzeran \u00e0 Torruella de Montgr\u00ed,\u00a0Gianluca Mastrocinque \u00e0 Cadis,\u00a0Joaqu\u00edn Melero \u00e0 Villanueva de la Serena (Badajoz)<\/span><\/p>\n [\/et_pb_accordion_item][et_pb_accordion_item title=”Programme” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” content__hover_enabled=”off|desktop” open=”off”]<\/p>\n