{"id":1010,"date":"2022-11-21T13:13:10","date_gmt":"2022-11-21T12:13:10","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=1010"},"modified":"2024-01-03T09:58:51","modified_gmt":"2024-01-03T08:58:51","slug":"2019-fra","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/2019-fra\/","title":{"rendered":"FRA – 2019"},"content":{"rendered":"

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Revela’t 2019: Le bien et le mal de l\u2019\u00eatre humain<\/strong><\/span><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ module_class=”body-content” _builder_version=”4.19.5″ _module_preset=”default” width=”1500px” max_width=”100%” module_alignment=”center” custom_margin=”0px|0px|0px||false|false” custom_padding=”0px|0px|180px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.19.5″ _module_preset=”default” width=”900px” max_width=”100%” module_alignment=”left” custom_margin=”0px||0px|0px|false|false” custom_padding=”0px||45px|0px|false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_text module_class=”text” _builder_version=”4.23.4″ _module_preset=”default” width=”100%” max_width=”100%” custom_margin=”||-2px|0px|false|false” custom_padding=”|||0px|false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

2023<\/a> \/ 2022<\/a> \/ 2021<\/a>\u00a0\/ 2020<\/a> \/ 2019\u00a0<\/strong>\/ 2018<\/a> \/ 2017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n

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El lema de la edici\u00f3n 2019 fue\u00a0<\/span>Klaatu Barada Nikto<\/strong>, una frase m\u00edtica de una conocida pel\u00edcula de ciencia ficci\u00f3n y con la pretend\u00edamos estimular proyectos fotogr\u00e1ficos que reflejaran la compleja relaci\u00f3n del ser humano con el planeta plante\u00e1ndonos dos preguntas muy concretas. \u00bfPor qu\u00e9 merecer\u00edamos ser destruidos? o \u00bfPor qu\u00e9 merecer\u00edamos salvarnos?<\/span><\/p>\n

En esta edici\u00f3n destacaron dos fot\u00f3grafos de\u00a0<\/span>Magnum<\/strong>,\u00a0<\/span>Bruce Gilden<\/strong>\u00a0<\/span>y\u00a0<\/span>David Burnett<\/strong>\u00a0<\/span>que muy amablemente nos cedieron sus exposiciones.<\/span><\/p>\n

Inauguramos en el\u00a0<\/span>Teatro la Massa, con la pel\u00edcula \u00abDe donde no se vuelve\u00bb de\u00a0<\/span>Alberto Garc\u00eda Alix<\/strong>\u00a0<\/span>que recibi\u00f3 nuestro Distintivo de Plata.<\/span><\/span><\/p>\n

Y fue nuestra primera edici\u00f3n del\u00a0<\/span>Revela\u2019t Day<\/strong>\u00a0<\/span>en la\u00a0<\/span>Antiga F\u00e0brica Estrella Damm<\/strong>, en Barcelona, donde superamos con creces las expectativas. Y en Barcelona tambi\u00e9n tuvimos una gran exposici\u00f3n de\u00a0<\/span>Acci\u00f3n Cultural Espa\u00f1ola AC\/E<\/strong>\u00a0<\/span>y\u00a0<\/span>Signo Editores<\/strong>, \u201c50 fotograf\u00edas con historia<\/strong>\u201c, que pudieron ver decenas de miles de personas, en el Passeig Colom.<\/span><\/p>\n

[\/et_pb_text][et_pb_accordion open_toggle_background_color=”#FFFFFF” closed_toggle_text_color=”#000000″ closed_toggle_background_color=”#FFFFFF” toggle_icon=”L||divi||400″ icon_color=”#000000″ use_icon_font_size=”on” icon_font_size=”30px” icon_color_last_edited=”off|desktop” module_class=”t” _builder_version=”4.20.2″ _module_preset=”default” toggle_font=”|600|||||||” closed_toggle_text_align=”left” body_font_size=”16px” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” border_width_all=”0px” locked=”off” global_colors_info=”{}”][et_pb_accordion_item title=”Expositions” open=”on” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}”]<\/p>\n

<\/strong><\/b><\/span><\/p>\n

AC\/E y Signo editores,<\/b><\/strong>\u00a050 fotograf\u00edas con historia.\u00a0<\/span>Laia Albert.\u00a0<\/strong><\/span>El Tolar.\u00a0Laurie Baggett, .\u00a0<\/strong><\/span>Tilt, Game Over.\u00a0Byron Brauchli.\u00a0<\/strong><\/span>Caudales.\u00a0David Burnett, .\u00a0<\/strong><\/span>Aftermath.\u00a0Lorena Cosba, .<\/strong>\u00a0<\/span>Systema natur\u00e6.\u00a0Yvette Cruz.\u00a0<\/strong><\/span>Yggdrasil.\u00a0Javier de Reparaz,.\u00a0<\/strong><\/span>Tik At.\u00a0Laura Ellenberger.\u00a0<\/strong><\/span>Cape of Good Hope.\u00a0Jordi Esteva.\u00a0<\/strong><\/span>Los Oasis de Egipto.\u00a0<\/span>Marta F\u00e0bregas .\u00a0<\/strong><\/span>Colonitzades.\u00a0Film Shooters Collective,<\/span><\/strong>\u00a0<\/span>La Tierra, los aliens, la esperanza y lo desconocido.\u00a0<\/span>Urizen Freaza.\u00a0<\/strong><\/span>What was that?.\u00a0Jorge Fuembuena.\u00a0<\/strong>The end of cathedrals.\u00a0Fundaci\u00f3n Railowsky,\u00a0<\/span><\/strong>La Colecci\u00f3n de la Fundaci\u00f3n Railowsky. Una peque\u00f1a muestra.\u00a0<\/span>IEFC<\/strong>,\u00a0<\/span>Avistamientos.\u00a0Bruce\u00a0Gilden<\/strong>.\u00a0<\/b>Syracuse 1981.\u00a0<\/span>Evagelia Hagikalfa.\u00a0<\/strong><\/span>Microcosmos.\u00a0Ramzi Haidar.\u00a0<\/strong><\/span>Civil War.\u00a0Nobuyuki Kobayashi.<\/strong>\u00a0<\/span>Portrait of nature. Myriads of Gods.\u00a0Ren\u00e9 Malt\u00eate.\u00a0<\/span><\/strong>Humour!.\u00a0Fernando Maquieira.\u00a0<\/strong><\/span>Alucinosis.\u00a0\u00a0Mati Mart\u00ed.\u00a0<\/strong><\/span>Territorio Boom.\u00a0Bernat Millet<\/strong>.\u00a0<\/span>Bitter, sweet, soft.\u00a0Monsters for Animals (Rafael Doctor Roncero)<\/strong>,\u00a0<\/span>Monsters for Animals.\u00a0Bill Moseley, .\u00a0<\/strong>\u2018<\/span>A lake, a forest, and the dark voice of the sea\u2019.\u00a0<\/span>Museu Vida Rural \u2013 Fundaci\u00f3 Carulla,\u00a0<\/strong><\/span>The Dust Bowl.\u00a0Eduardo Nave, .\u00a0<\/strong><\/span>Mulberry Harbour.\u00a0Juli\u00e1n Ochoa, .\u00a0<\/strong><\/span>Alg\u00fan d\u00eda los coches volar\u00e1n.\u00a0James Rajotte, .<\/strong>\u00a0<\/span>La Ruta de la corrupci\u00f3n.\u00a0Residencia de Creaci\u00f3n y experimentaci\u00f3n fotogr\u00e1fica.<\/strong>\u00a0Alex Timmermans.\u00a0<\/span><\/strong>Storytelling.\u00a0Javier Viver.\u00a0<\/strong><\/span>R\u00e9v\u00e9lations & Archivo de lo Inclasificable..\u00a0<\/span>Sen Yusuf Murat, .\u00a0<\/strong><\/span>Wet City.\u00a0Irene Z\u00f3ttola, .\u00a0<\/strong><\/span>Dentro<\/span><\/p>\n

\u00a0<\/span>Expositions OFF<\/strong><\/span><\/p>\n

BADEM colectivo.<\/strong>\u00a0Habitantes y paisajes.<\/span>\u00a0<\/em>Ana Benavent.<\/strong>\u00a0Compartir piso a los 30.\u00a0Lomography BCN.\u00a0Mireia Bordonada.\u00a0<\/strong>A sangre. (FUGA. Centre de fotografia).\u00a0Jose Casanova y Josep Casacuberta<\/span>.<\/strong>\u00a0Massane. (Hotel Chic&Basic Velvet BCN).\u00a0\u00a0<\/em>Ana Daganzo.<\/strong>\u00a0Transmutaciones.\u00a0(Projekteria Art Gallery).\u00a0<\/span><\/em>(Wonder Photoshop).\u00a0Daniel Garc\u00eda Saravia.<\/strong>\u00a0Valira Drive. Fifty dots gallery.\u00a0Grupo Fotoapertura.<\/strong>\u00a0Paisaje posible. Cercle Art\u00edstic de Sant Lluc.\u00a0Jean Letellier.<\/strong>\u00a0Abandono. (Mec\u00e0nic).\u00a0\u00a0<\/span><\/em>C\u00e9sar Lucas.<\/strong>\u00a0Marisol, el resplandor de un mito.\u00a0<\/span>(VALID FOTO BCN).\u00a0Alejandra Morales.<\/strong>\u00a0Los cuerpos de Lewy (Can Bast\u00e9).\u00a0<\/span><\/em>Luisa Ordo\u00f1ez.<\/strong>\u00a0La respuesta de la Tierra.\u00a0(Pati Llimona).\u00a0<\/em>Marc Tom\u00e1s.<\/strong>\u00a0Mat\u00e8ria\u00a0(Nost\u00e0lgic).<\/em><\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”Programme” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” open=”off”]<\/strong><\/b><\/span><\/p>\n

Dans ce lien<\/a>, vous pouvez t\u00e9l\u00e9charger le programme en espagnol et en anglais, qui pour cette \u00e9dition est publi\u00e9 comme un journal.<\/span>[\/et_pb_accordion_item][et_pb_accordion_item title=”Vid\u00e9o r\u00e9sum\u00e9” _builder_version=”4.20.2″ _module_preset=”default” custom_margin=”0px|||0px|false|false” custom_padding=”0px|||0px|false|false” border_width_bottom=”1px” border_color_bottom=”#000000″ global_colors_info=”{}” open=”off”]<\/p>\n

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https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Resume-Horiz.mp4<\/a><\/video><\/div>\n

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\u00a0Revela’T 2019: Le bien et le mal de l\u2019\u00eatre humain<\/span><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

2013 <\/a>\/ 2014<\/a> \/ 2015<\/a> \/ 2016<\/a> \/ 2017<\/a> \/ 2018<\/a> \/ 2019 \/ 2020<\/a> \/ 2021<\/a> \/ 2022<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.19.0″ _module_preset=”default” text_text_color=”#000000″ text_font_size=”16px” global_colors_info=”{}”]<\/p>\n

Le th\u00e8me de l’\u00e9dition 2019 \u00e9tait un slogan bien connu, “Klaatu Barada Nikto”, tir\u00e9 d’un film de science-fiction. Avec cette formule \u00e9nigmatique, nous voulions inciter \u00e0 des projets photographiques qui exprimeraient la relation complexe entre les \u00eatres humains et notre plan\u00e8te, en nous posant des questions fondamentales : Pourquoi devrions-nous \u00eatre d\u00e9truits ? Pourquoi m\u00e9ritons-nous d’\u00eatre sauv\u00e9s ?<\/p>\n

Cette ann\u00e9e-l\u00e0, deux photographes l\u00e9gendaires de Magnum, Bruce Gilden et David Burnett, nous ont fait l’honneur de pr\u00e9senter leurs expositions.<\/p>\n

Nous avons commenc\u00e9 notre festival au th\u00e9\u00e2tre La Massa avec le film poignant d’Alberto Garc\u00eda Alix, “De donde no se vuelve” (D’o\u00f9 on ne revient pas), qui a re\u00e7u notre prestigieux “Aguja de Plata”.<\/p>\n

Nous avons \u00e9galement inaugur\u00e9 notre premi\u00e8re Journ\u00e9e Revela’T \u00e0 l’Antiga F\u00e0brica Estrella Damm de Barcelone, o\u00f9 les attentes ont \u00e9t\u00e9 largement d\u00e9pass\u00e9es. \u00c0 Barcelone, nous avons ainsi eu la chance de pr\u00e9senter une grande exposition de l’Acci\u00f3n Cultural Espa\u00f1ola AC\/E et de Signo Editores, “50 photographies avec l’histoire”, qui a \u00e9t\u00e9 vue par des dizaines de milliers de personnes au Passeig Colom.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Poster_A3_RGB_LR-pdf.jpg” title_text=”Poster_A3_RGB_LR” _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_accordion _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_accordion_item title=”EXPOSITIONS” open=”on” _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

AC\/E y Signo editores,<\/b><\/strong>\u00a0<\/span>50 fotograf\u00edas con historia.\u00a0<\/span><\/span>Laia Albert.\u00a0<\/span><\/strong><\/span>El Tolar.\u00a0<\/span>Laurie Baggett, .\u00a0<\/span><\/strong><\/span>Tilt, Game Over.\u00a0<\/span>Byron Brauchli.\u00a0<\/span><\/strong><\/span>Caudales.\u00a0<\/span>David Burnett, .\u00a0<\/span><\/strong><\/span>Aftermath.\u00a0<\/span>Lorena Cosba, .<\/strong>\u00a0<\/span><\/span>Systema natur\u00e6.\u00a0<\/span>Yvette Cruz.\u00a0<\/span><\/strong><\/span>Yggdrasil.\u00a0<\/span>Javier de Reparaz,.\u00a0<\/span><\/strong><\/span>Tik At.\u00a0<\/span>Laura Ellenberger.\u00a0<\/span><\/strong><\/span>Cape of Good Hope.\u00a0<\/span>Jordi Esteva.\u00a0<\/span><\/strong><\/span>Los Oasis de Egipto.\u00a0<\/span><\/span>Marta F\u00e0bregas .\u00a0<\/span><\/strong><\/span>Colonitzades.\u00a0Film Shooters Collective,<\/span><\/strong>\u00a0<\/span>La Tierra, los aliens, la esperanza y lo desconocido.\u00a0<\/span><\/span>Urizen Freaza.\u00a0<\/span><\/strong><\/span>What was that?.\u00a0<\/span>Jorge Fuembuena.\u00a0<\/span><\/strong>The end of cathedrals.\u00a0Fundaci\u00f3n Railowsky,\u00a0<\/span><\/span><\/strong>La Colecci\u00f3n de la Fundaci\u00f3n Railowsky. Una peque\u00f1a muestra.\u00a0<\/span>IEFC<\/strong>,\u00a0<\/span><\/span>Avistamientos.\u00a0<\/span>Bruce\u00a0<\/span>Gilden<\/strong>.\u00a0<\/span><\/b>Syracuse 1981.\u00a0<\/span><\/span>Evagelia Hagikalfa.\u00a0<\/span><\/strong><\/span>Microcosmos.\u00a0<\/span>Ramzi Haidar.\u00a0<\/span><\/strong><\/span>Civil War.\u00a0<\/span>Nobuyuki Kobayashi.<\/strong>\u00a0<\/span>Portrait of nature. Myriads of Gods.\u00a0<\/span>Ren\u00e9 Malt\u00eate.\u00a0<\/span><\/span><\/strong>Humour!.\u00a0<\/span>Fernando Maquieira.\u00a0<\/span><\/strong><\/span>Alucinosis.\u00a0\u00a0<\/span>Mati Mart\u00ed.\u00a0<\/span><\/strong><\/span>Territorio Boom.\u00a0<\/span>Bernat Millet<\/strong>.\u00a0<\/span><\/span>Bitter, sweet, soft.\u00a0Monsters for Animals (Rafael Doctor Roncero)<\/strong>,\u00a0<\/span>Monsters for Animals.\u00a0<\/span>Bill Moseley, .\u00a0<\/span><\/strong>\u2018<\/span>A lake, a forest, and the dark voice of the sea\u2019.\u00a0<\/span>Museu Vida Rural \u2013 Fundaci\u00f3 Carulla,\u00a0<\/strong><\/span>The Dust Bowl.\u00a0<\/span>Eduardo Nave, .\u00a0<\/span><\/strong><\/span>Mulberry Harbour.\u00a0<\/span>Juli\u00e1n Ochoa, .\u00a0<\/span><\/strong><\/span>Alg\u00fan d\u00eda los coches volar\u00e1n.\u00a0<\/span>James Rajotte, .<\/strong>\u00a0<\/span>La Ruta de la corrupci\u00f3n.\u00a0Residencia de Creaci\u00f3n y experimentaci\u00f3n fotogr\u00e1fica.<\/strong>\u00a0<\/span>Alex Timmermans.\u00a0<\/span><\/span><\/strong>Storytelling.\u00a0<\/span>Javier Viver.\u00a0<\/span><\/strong><\/span>R\u00e9v\u00e9lations & Archivo de lo Inclasificable..\u00a0<\/span><\/span>Sen Yusuf Murat, .\u00a0<\/span><\/strong><\/span>Wet City.\u00a0<\/span>Irene Z\u00f3ttola, .\u00a0<\/span><\/strong><\/span>Dentro<\/span><\/p>\n

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Expositions OFF<\/strong><\/span><\/p>\n

BADEM colectivo.<\/strong>\u00a0<\/span>Habitantes y paisajes.<\/span>\u00a0<\/span><\/em>Ana Benavent.<\/strong>\u00a0<\/span>Compartir piso a los 30.\u00a0<\/span>Lomography BCN.\u00a0<\/span>Mireia Bordonada.\u00a0<\/span><\/strong>A sangre. (FUGA. Centre de fotografia).\u00a0<\/span>Jose Casanova y Josep Casacuberta<\/span>.<\/strong>\u00a0<\/span>Massane. (Hotel Chic&Basic Velvet BCN).\u00a0\u00a0<\/span><\/em>Ana Daganzo.<\/strong>\u00a0<\/span>Transmutaciones.\u00a0<\/span>(Projekteria Art Gallery).\u00a0<\/span><\/span><\/em>(Wonder Photoshop).\u00a0<\/span>Daniel Garc\u00eda Saravia.<\/strong>\u00a0<\/span>Valira Drive. Fifty dots gallery.\u00a0<\/span>Grupo Fotoapertura.<\/strong>\u00a0<\/span>Paisaje posible. Cercle Art\u00edstic de Sant Lluc.\u00a0<\/span>Jean Letellier.<\/strong>\u00a0<\/span>Abandono. (Mec\u00e0nic).\u00a0\u00a0<\/span><\/span><\/em>C\u00e9sar Lucas.<\/strong>\u00a0<\/span>Marisol, el resplandor de un mito.\u00a0<\/span><\/span>(VALID FOTO BCN).\u00a0<\/span>Alejandra Morales.<\/strong>\u00a0<\/span>Los cuerpos de Lewy (Can Bast\u00e9).\u00a0<\/span><\/span><\/em>Luisa Ordo\u00f1ez.<\/strong>\u00a0<\/span>La respuesta de la Tierra.\u00a0<\/span>(Pati Llimona).\u00a0<\/span><\/em>Marc Tom\u00e1s.<\/strong>\u00a0<\/span>Mat\u00e8ria\u00a0<\/span>(Nost\u00e0lgic).<\/em><\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”PROGRAMME” _builder_version=”4.20.2″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n

Dans ce lien, <\/a><\/span>vous pouvez t\u00e9l\u00e9charger le programme en espagnol et en anglais, qui pour cette \u00e9dition est publi\u00e9 comme un journal.<\/span><\/p>\n

[\/et_pb_accordion_item][et_pb_accordion_item title=”VID\u00c9O R\u00c9SUM\u00c9 2019″ _builder_version=”4.19.0″ _module_preset=”default” global_colors_info=”{}” open=”off”]<\/p>\n

https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Resume-Horiz.mp4<\/a><\/video><\/div>\n

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Revela’t 2019: Le bien et le mal de l\u2019\u00eatre humain2023 \/ 2022 \/ 2021\u00a0\/ 2020 \/ 2019\u00a0\/ 2018 \/ 2017 \/ 2016 \/ 2015 \/ 2014 \/ 2013El lema de la edici\u00f3n 2019 fue\u00a0Klaatu Barada Nikto, una frase m\u00edtica de una conocida pel\u00edcula de ciencia ficci\u00f3n y con la pretend\u00edamos estimular proyectos fotogr\u00e1ficos que reflejaran […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-1010","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/comments?post=1010"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1010\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/media?parent=1010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}