{"id":1006,"date":"2022-11-21T13:41:43","date_gmt":"2022-11-21T12:41:43","guid":{"rendered":"https:\/\/revela-t.cat\/2025\/?page_id=1006"},"modified":"2024-01-03T09:51:13","modified_gmt":"2024-01-03T08:51:13","slug":"2018-fra","status":"publish","type":"page","link":"https:\/\/revela-t.cat\/2025\/2018-fra\/","title":{"rendered":"FRA – 2018"},"content":{"rendered":"

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Revela’t 2018: Odysseys, un voyage plein d\u2019aventures<\/strong><\/span><\/h1>\n

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2023<\/a> \/ 2022<\/a> \/ 2021<\/a>\u00a0\/ 2020<\/a> \/ 2019<\/a> \/ 2018<\/strong> \/\u00a02017<\/a> \/ 2016<\/a> \/ 2015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>\n

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L’Odyss\u00e9e<\/strong> a \u00e9t\u00e9 le th\u00e8me de la sixi\u00e8me \u00e9dition du festival, nous ramenant ainsi au po\u00e8me d’Hom\u00e8re, qui conte les aventures d’Ulysse, de sa conqu\u00eate de Troie jusqu’\u00e0 son retour chez lui, \u00e0 Ithaque.<\/p>\n

Le mot “Odyss\u00e9e” est devenu universellement synonyme de “voyage rempli d’aventures”. Une aventure o\u00f9 la destination finale c\u00e8de la place au voyage lui-m\u00eame, un chemin qui nous enrichit et nous transforme, de sorte que nous ne sommes plus jamais les m\u00eames qu’au d\u00e9but.<\/p>\n

Chez Revela-t, nous avons v\u00e9cu, vu et discut\u00e9 de la photographie en compagnie de personnalit\u00e9s nationales et internationales de renom, rassemblant les r\u00eaveurs, les non-conformistes, les intr\u00e9pides, les infatigables, ceux qui n’ont pas peur d’explorer des chemins diff\u00e9rents de ceux habituels.<\/p>\n

Au cours de cette \u00e9dition, nous avons eu l’exposition de Jeff Bridges<\/strong>, plus connu pour son talent d’acteur.<\/p>\n

L’Aiguille d’Argent du festival \u00e9tait attribu\u00e9e \u00e0 Ferran Freixa<\/strong> cette ann\u00e9e-l\u00e0.<\/p>\n

C’\u00e9tait la premi\u00e8re \u00e9dition de ce que nous appelons “Revela’t OFF<\/strong>“, o\u00f9 diff\u00e9rentes galeries de Barcelone pr\u00e9sentent des expositions Revela’t.<\/p>\n

En d\u00e9cembre, nous avons organis\u00e9 la premi\u00e8re \u00e9dition de “Revela’t Winter Madrid<\/strong>“.<\/p>\n

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<\/strong><\/span><\/p>\n

Javier Arcenillas,\u00a0<\/strong>City Hope.\u00a0Gerard Boyer,\u00a0<\/strong>Ser de La Cala.\u00a0Jeff Bridges,<\/strong>\u00a0Pictures and White Squall.\u00a0Alejandro Chaskielberg,\u00a0<\/strong>La creciente.\u00a0Nathalie Daoust,\u00a0<\/strong>Korean Dreams\u00a0Ferran Freixa,\u00a0<\/strong>Fotografia.\u00a0Luther Gerlach,\u00a0<\/strong>Original.\u00a0Matthias Hagemann,\u00a0<\/strong>100 Kilometers\u00a0Ariko Inaoka,\u00a0<\/strong>Erna and Hrefna.\u00a0Juliana Kasumu,\u00a0<\/strong>Irun Kiko.\u00a0Kamila Kulik-Maciejewska,\u00a0<\/strong>Are you Awake?\u00a0Fernanda Larra\u00edn,\u00a0<\/strong>El viaje de Fernanda.\u00a0Isabelle Levistre,\u00a0<\/strong>Anamn\u00e8se.\u00a0Sean Lotman<\/strong>, Sunlanders\u00a0Amalia M\u00e1rquez,\u00a0<\/strong>End to End.\u00a0Jos\u00e9 Manuel Mart\u00ednez Perea,\u00a0<\/strong>Alea\u00a0Jeff Michalek,\u00a0<\/strong>Escenes from a Junkyard\u00a0Fernando Miranda,\u00a0<\/strong>Reminiscencia.\u00a0Kenneth O\u2019Halloran,\u00a0<\/strong>Harvest\u00a0Gloria Oyarzabal,\u00a0<\/strong>La picnolepsia de Tshomb\u00ea.\u00a0Jordi Parramon,\u00a0<\/strong>Les carreteres de l\u2019amor.\u00a0Leopoldo Plasencia,\u00a0<\/strong>Ciutats en construcci\u00f3.\u00a0Proyecto PHES\u00a0<\/strong>(Fotograf\u00eda Espa\u00f1ola Solidaria).\u00a0Lluc Queralt,\u00a0<\/strong>NY una d\u00e9cada\u00a0Florian Reischauer,\u00a0<\/strong>Pieces of Berlin.\u00a0Anne Roig,\u00a0<\/strong>Theme Park 66.\u00a0Tina Rowe,\u00a0<\/strong>My mother\u2019s house\u00a0Maria Sol\u00e0,<\/strong>\u00a0L\u2019inventari.\u00a0Ryan Weideman,\u00a0<\/strong>In my taxi: 1980-2012<\/span><\/p>\n

Exposicions OFF<\/strong><\/span><\/p>\n

Aragon\u00e9s, Xavier.\u00a0<\/strong>Twentysix Abandoned Catalan Gasoline Stations (Centre C\u00edvic Can Bast\u00e9).\u00a0Ari\u00f1o, Israel.\u00a0<\/strong>Cr\u00f3nicas de un desembarco (Fifty Dots Gallery.\u00a0Berg\u00e9s, Laurenz.\u00a0<\/strong>Black Diamond (Mec\u00e0nic).\u00a0Borges, Etel.\u00a0<\/strong>Symbolic Map (La Iguana Cultura).\u00a0Cruz, Irene.\u00a0<\/strong>Bj\u00f6rk (Fifty Dots Gallery).\u00a0de Castro, Alfonso.\u00a0<\/b>Double Take (Nau Nostik).\u00a0Garcia, Bernat.\u00a0<\/strong>El Camino (Fifty Dots Gallery).\u00a0Garc\u00eda, Daniel.\u00a0<\/strong>USA\u201990 (Fifty Dots Gallery).\u00a0Garrido, Eric.\u00a0<\/strong>Dentro (Espai de Fotografia Francesc Catal\u00e0 Roca).\u00a0Gim\u00e9nez, Nagore.\u00a0<\/strong>Distorted Memories (Espai de Fotografia Francesc Catal\u00e0 Roca).\u00a0Jornet, Anna.\u00a0<\/strong>\u00cele (CFD).\u00a0Kenna,Michael. \u00a0<\/strong>Oneiros (Valid Foto BCN).\u00a0Lista, Frederic.\u00a0<\/strong>Forever Changes (Nost\u00e0lgic).\u00a0M\u00e1rquez, Jordi.\u00a0<\/strong>El largo camino hasta el mar (Espai de Fotografia Francesc Catal\u00e0 Roca).\u00a0Mart\u00ednez, Conchi.\u00a0<\/strong>Cuaderno de viajes (Art Deal Project).\u00a0Mat\u00e9s, Sergi.\u00a0<\/strong>Glowing Darkness (Lomography Embassy Barcelona).\u00a0Ord\u00f3\u00f1ez, C\u00e9sar.\u00a0<\/strong>Tadaima (Fifty Dots Gallery).\u00a0Rossell, Roger.\u00a0<\/strong>El bon dolor (Projekteria Art Gallery).\u00a0Teixidor, Joan.\u00a0<\/strong>Canvis substancials (Pati Llimona).\u00a0Tuparova, Gabriela.\u00a0<\/strong>La pell de l\u2019estiu (Espai de Fotografia Francesc Catal\u00e0 Roca)<\/span><\/p>\n

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https:\/\/revela-t.cat\/2025\/wp-content\/uploads\/2022\/11\/Revela\u00b4T-2018-Resum.mp4<\/a><\/video><\/div>\n

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Revela’t 2018: Odysseys, un voyage plein d\u2019aventures2023 \/ 2022 \/ 2021\u00a0\/ 2020 \/ 2019 \/ 2018 \/\u00a02017 \/ 2016 \/ 2015 \/ 2014 \/ 2013L’Odyss\u00e9e a \u00e9t\u00e9 le th\u00e8me de la sixi\u00e8me \u00e9dition du festival, nous ramenant ainsi au po\u00e8me d’Hom\u00e8re, qui conte les aventures d’Ulysse, de sa conqu\u00eate de Troie jusqu’\u00e0 son retour chez […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"footnotes":""},"class_list":["post-1006","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/comments?post=1006"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/pages\/1006\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2025\/wp-json\/wp\/v2\/media?parent=1006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}