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Els dromedaris s\u00f3n uns dels animals m\u00e9s emblem\u00e0tics de la postal tur\u00edstica de molts pa\u00efsos, especialment aquells que es troben en deserts o regions \u00e0rides.<\/p>\n
Aquests animals s\u00f3n coneguts per la seva habilitat per a caminar per llargs per\u00edodes de temps i per la seva capacitat per a suportar grans quantitats d’aigua i menjar.
En la postal tur\u00edstica, els camells s\u00f3n sovint retratats caminant pel desert, amb un genet en el seu llom o carregant provisions en les seves alforges. Aquesta imatge \u00e9s una representaci\u00f3 cl\u00e0ssica de la vida en el desert i ha estat utilitzada durant segles per a promoure el turisme en aquestes regions.<\/p>\n
Espanya ha explotat aquest recurs ir\u00f2nic que ens mostra les projeccions i desitjos colonialistes del turista norteuropeo que visitava Espanya com a reclam de viatge i cam\u00ed a explorar i conquistar.<\/p>\n
Aquesta postal del Arxiu Planas ha estat extreta de la col\u00b7lecci\u00f3 per a analitzar els imaginaris del turisme de masses a Espanya en els anys 60\u2019.<\/p>\n
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Marina Planas Antich ( Palma, 1983)<\/p>\n
Artista visual, investigadora i productora cultural.<\/p>\n
El seu treball gira entorn a les fronteres entre art i vida, representaci\u00f3 visual i mem\u00f2ria.<\/p>\n
En l’actualitat realitza projectes sobre q\u00fcestions relacionades amb la tem\u00e0tica de l’arxiu. Aquests \u00faltims anys el seu treball s’ha centrat en les postals i la idea de generar una ficci\u00f3 i un desig mitjan\u00e7ant la utopia tur\u00edstica.<\/p>\n
Ha impulsat el Arxiu Planas com un laboratori de creaci\u00f3 per a investigar de manera col\u00b7lectiva el Turisme des del pensament contemporani.<\/p>\n