John Sanderson (1983, els Estats Units) se sent atret per paisatges topogr\u00e0fics amplis, caracter\u00edstics dels Estats Units d’Am\u00e8rica. \u00c9s all\u00ed on se sent m\u00e9s creatiu. Les seves fotografies reconcilien els motius estatunidencs de la impermanencia i l’expansi\u00f3 dins del paisatge contemporani.<\/p>\n

Els seus projectes inclouen temes com el transport, l’oci, la resid\u00e8ncia, la ind\u00fastria i la decad\u00e8ncia. Haver crescut en Midtown Manhattan, NY, ha influenciat gran part del seu treball, que est\u00e0 arrelat en una passi\u00f3 pel disseny arquitect\u00f2nic.<\/p>\n

Captura fotografies amb diferents c\u00e0meres de pel\u00b7l\u00edcula de gran format per a cada projecte.<\/p>\n

Les fotografies de Sanderson han estat publicades en moltes revistes i peri\u00f2dics com PDN Magazine, Slate Magazine, BBC News, The Wall Street Journal, Lenscratch i NBC News. Les seves obres formen part de diverses col\u00b7leccions privades i p\u00fabliques.<\/p>\n

john-sanderson.com<\/a><\/p>\n

@johnsandersonphotographer<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Amb la col\u00b7laboraci\u00f3 de VM Foto<\/p>\n

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John SandersonRailroad LandscapesCal Garbat, S4< Exposicions L’espai canvia al voltant de les l\u00ednies de ferrocarril que romanen, generacions despr\u00e9s de la seva construcci\u00f3. Fluint cap a la dist\u00e0ncia o tallant a trav\u00e9s d’una imatge, els ra\u00efls ens deixen sorpresos; i, no obstant aix\u00f2, la seva l\u00ednia confiada ens ancora al nostre cam\u00ed. Les estacions una […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-6371","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/pages\/6371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/comments?post=6371"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/pages\/6371\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/media?parent=6371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}