Revela’t 2016: Amb la mirada al futur<\/strong><\/span><\/h1>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ module_class=\u00bbbody-content\u00bb _builder_version=\u00bb4.19.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb1500px\u00bb max_width=\u00bb100%\u00bb module_alignment=\u00bbcenter\u00bb custom_margin=\u00bb0px|0px|0px||false|false\u00bb custom_padding=\u00bb0px|0px|180px|0px|false|false\u00bb da_disable_devices=\u00bboff|off|off\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb da_is_popup=\u00bboff\u00bb da_exit_intent=\u00bboff\u00bb da_has_close=\u00bbon\u00bb da_alt_close=\u00bboff\u00bb da_dark_close=\u00bboff\u00bb da_not_modal=\u00bbon\u00bb da_is_singular=\u00bboff\u00bb da_with_loader=\u00bboff\u00bb da_has_shadow=\u00bbon\u00bb][et_pb_row use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb1″ _builder_version=\u00bb4.19.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb900px\u00bb max_width=\u00bb100%\u00bb module_alignment=\u00bbleft\u00bb custom_margin=\u00bb0px||0px|0px|false|false\u00bb custom_padding=\u00bb0px||45px|0px|false|false\u00bb global_colors_info=\u00bb{}\u00bb locked=\u00bboff\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.19.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text module_class=\u00bbtext\u00bb _builder_version=\u00bb4.20.2″ _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb custom_margin=\u00bb||-2px|0px|false|false\u00bb custom_padding=\u00bb|||0px|false|false\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]

2022<\/a> \/ 2021<\/a> \/ 2020<\/a> \/ 2019<\/a> \/ 2018<\/a> \/ 2017<\/a> \/ 2016 \/\u00a02015<\/a> \/ 2014<\/a> \/ 2013<\/a><\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb3_5,2_5″ use_custom_gutter=\u00bbon\u00bb gutter_width=\u00bb2″ _builder_version=\u00bb4.19.5″ _module_preset=\u00bbdefault\u00bb width=\u00bb100%\u00bb max_width=\u00bb100%\u00bb module_alignment=\u00bbleft\u00bb custom_padding=\u00bb0px||0px|||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.19.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text module_class=\u00bbtext\u00bb _builder_version=\u00bb4.20.2″ _module_preset=\u00bbdefault\u00bb width=\u00bb900px\u00bb max_width=\u00bb100%\u00bb module_alignment=\u00bbleft\u00bb custom_margin=\u00bb|||0px|false|false\u00bb custom_padding=\u00bb||45px|0px|false|false\u00bb custom_css_main_element=\u00bbmargin-right: 20px;\u00bb global_colors_info=\u00bb{}\u00bb]

La quarta edici\u00f3 del festival Revela\u2019t i la primera amb un lema,\u00a0<\/span>Forever Young<\/strong>. Un esperit jove representat per dos models que miren sense complexos cap a la c\u00e0mera i cap al futur. Una imatge que ens va cedir la fot\u00f2grafa\u00a0<\/span>Jacquelin Roberts\u00a0<\/span><\/strong>i que reflecteix clarament l\u2019esperit del festival. \u00a0<\/span><\/p>\n

Durant tres caps de setmana es va poder veure el treball dels autors que executen la seva obra amb processos qu\u00edmics i anal\u00f2gics; actuals, originals i irreverents d\u2019aquest segle XXl i per aix\u00f2, sempre joves.\u00a0<\/span><\/p>\n

La Distinci\u00f3 de Plata\u00a0del festival va ser en aquesta ocasi\u00f3 per a la nostra admirada\u00a0Joana Biarn\u00e9s<\/strong>.<\/span><\/p>[\/et_pb_text][et_pb_accordion open_toggle_background_color=\u00bb#FFFFFF\u00bb closed_toggle_text_color=\u00bb#000000″ closed_toggle_background_color=\u00bb#FFFFFF\u00bb toggle_icon=\u00bbL||divi||400″ icon_color=\u00bb#000000″ use_icon_font_size=\u00bbon\u00bb icon_font_size=\u00bb30px\u00bb icon_color_last_edited=\u00bboff|desktop\u00bb module_class=\u00bbt\u00bb _builder_version=\u00bb4.20.2″ _module_preset=\u00bbdefault\u00bb toggle_font=\u00bb|600|||||||\u00bb closed_toggle_text_align=\u00bbleft\u00bb body_font_size=\u00bb16px\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb border_width_all=\u00bb0px\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_accordion_item title=\u00bbExposicions\u00bb open=\u00bbon\u00bb _builder_version=\u00bb4.20.2″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||0px|false|false\u00bb custom_padding=\u00bb0px|||0px|false|false\u00bb border_width_bottom=\u00bb1px\u00bb border_color_bottom=\u00bb#000000″ global_colors_info=\u00bb{}\u00bb]

<\/strong><\/span><\/p>\n

Antonio Alay,\u00a0<\/strong>Rocker, retrato de un esp\u00edritu.\u00a0Iwona Aleksandrowicz,\u00a0<\/b>Retratos y desnudos.\u00a0Francesc Arn\u00f3,\u00a0<\/strong>Formentera \u201cOrigens\u201d.\u00a0Soren Berenguer,\u00a0<\/strong>Barcelona Infrarroja\u00a0J.M. Castro Prieto,\u00a0<\/strong>Per\u00fa, viaje al Sol.\u00a0Joanne Coates,\u00a0<\/b><\/strong>Liznojan. Mike Crawford, Obsolete & Discontinued\u00a0Pablo Conejo,\u00a0<\/b><\/strong>Everyday People.\u00a0Robin Cracknell,\u00a0<\/b>Weight, the sea.\u00a0Agust\u00edn David,\u00a0<\/b>At the heart of it \/ Al coraz\u00f3n.\u00a0Daniel Espinoza,\u00a0<\/strong>Ride your guayabas.\u00a0Jaume Estap\u00e9,<\/strong>\u00a0Primitiu i actual.\u00a0Llu\u00eds Estopi\u00f1an,\u00a0<\/strong>Disclosed Memory.\u00a0John Fink,\u00a0<\/strong>Of The Earth.\u00a0Urizen Freaza,\u00a0<\/strong>Dobles.\u00a0Christian Heigner,\u00a0<\/strong>Berufsbild. Kollodium.\u00a0Michalina Hendrys,\u00a0<\/strong>Autoportrait.\u00a0Constanza Isaza,\u00a0<\/strong>Evoluci\u00f3n.\u00a0Markus Kaesler,\u00a0<\/b>Shapes of Structure.\u00a0Bastian Kalous,\u00a0<\/strong>Small Humans.\u00a0Michael Kenna,\u00a0<\/strong>La mirada l\u00edquida.\u00a0Ehab Khater,\u00a0<\/strong>Hand-coloring interpretation.\u00a0Juro Kovacik,\u00a0<\/b>Bratislava. Roman Kravchenko,\u00a0<\/b>Crimea \u2013 unfinished journe.\u00a0Zakira,\u00a0<\/strong>Lahza 2.\u00a0Jes\u00fas Lim\u00e1rquez,\u00a0<\/b>New antique series.\u00a0\u00c0lex Llovet,\u00a0<\/strong>Querido vecino,\u00a0Andr\u00e9s L\u00f3pez ALL,\u00a0<\/strong>Tempus Fugit.\u00a0Frank Machalowski,\u00a0<\/b>Tierwald.\u00a0Jos\u00e9 Manuel Magano,\u00a0<\/strong>El misterio de la creaci\u00f3n.\u00a0Rub\u00e9n Morales,\u00a0<\/strong>15\/16.\u00a0NOPO & Camara con Alas.\u00a0<\/strong>\u00a0Jos\u00e9 M\u00aa de Orbe,\u00a0<\/b>The Neighbours Project.\u00a0Andr\u00e9s Pantoja,\u00a0<\/strong>Folding light.\u00a0Joaqu\u00edn Paredes,\u00a0<\/strong>Hemicr\u00e1nea.\u00a0Herschel Pollard<\/strong>, Next Best Thing Pinhole Project.\u00a0Jos\u00e9 Manuel Poyatos,\u00a0<\/strong>Los negocios del poder.\u00a0Jacquelin Roberts,\u00a0<\/b>N\u00e9bula.\u00a0Arnau Rovira,\u00a0<\/strong>Re-Form.\u00a0Grzegorz Sawa-Boryslawski,\u00a0<\/b>Ghosts of Chernobyl.\u00a0Anabelle Schattens,\u00a0<\/b>15 minutes of fame\u00a0\u00a0Tagomago Collectors Project,\u00a0<\/strong>Manos que no ven.\u00a0The Film Shooters Collective,<\/strong>\u00a0North, South, East and West (NSEW).\u00a0Ana Tornel,\u00a0<\/strong>Cris\u00e1lidas.\u00a0Magdalene Wanderlust,\u00a0<\/b>Stream of Gold.\u00a0Heather F. Wetzel,\u00a0<\/b>Salvage Landscapes.\u00a0Deanna M. Witman,\u00a0<\/b>Melt\u00a0Masao Yamamoto,\u00a0<\/strong>Small things in silence.\u00a0Anna Yeroshenko,\u00a0<\/b>Wandering Stars<\/span><\/p>[\/et_pb_accordion_item][et_pb_accordion_item title=\u00bbVideo resum\u00bb _builder_version=\u00bb4.20.2″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|||0px|false|false\u00bb custom_padding=\u00bb0px|||0px|false|false\u00bb border_width_bottom=\u00bb1px\u00bb border_color_bottom=\u00bb#000000″ global_colors_info=\u00bb{}\u00bb open=\u00bboff\u00bb] \n\n

\nhttps:\/\/revela-t.cat\/2023\/wp-content\/uploads\/2022\/11\/Revela-t2016-4.mp4<\/a><\/video><\/div>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.19.5″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/revela-t.cat\/2023\/wp-content\/uploads\/2022\/11\/2016.png\u00bb title_text=\u00bb2016″ force_fullwidth=\u00bbon\u00bb _builder_version=\u00bb4.19.0″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n\n","protected":false},"excerpt":{"rendered":"

Revela’t 2016: Amb la mirada al futur2022 \/ 2021 \/ 2020 \/ 2019 \/ 2018 \/ 2017 \/ 2016 \/\u00a02015 \/ 2014 \/ 2013La quarta edici\u00f3 del festival Revela\u2019t i la primera amb un lema,\u00a0Forever Young. Un esperit jove representat per dos models que miren sense complexos cap a la c\u00e0mera i cap al futur. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1174","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/pages\/1174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/comments?post=1174"}],"version-history":[{"count":0,"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/pages\/1174\/revisions"}],"wp:attachment":[{"href":"https:\/\/revela-t.cat\/2023\/wp-json\/wp\/v2\/media?parent=1174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}